| Traditional Culture: How Does it Work? |
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Dorothy Noyes |
39-47 |
| Review Essay: A Future for Museums? |
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Eric Gable |
48-53 |
| Review Essay: On Collectors’ Donations to Museums |
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Paul van der Grijp |
54-58 |
| The David H. Koch Hall of Human Origins |
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Samuel J. Redman |
59-63 |
| Seeing Culture Everywhere: From Genocide to Consumer Habits (Breidenbach and Nyíri) |
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Keith Hart |
64-66 |
| Contested Histories in Public Space: Memory, Race, and Nation (Walkowitz and Knauer, eds.) |
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Matthew Pratt Guterl |
67-68 |
| Art from Fort Marion: The Silberman Collection (Szabo) |
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Michael P. Jordan |
69-71 |
| Learning at the Museum Frontiers: Identity, Race and Power (Golding) |
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Vivian N. Halloran |
72-73 |
| Cosmopolitan Archaeologies (Meskell, ed.) |
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Claudine Payne |
74-75 |
| Pacific Images: Views from Captain Cook’s Third Voyage (Nordyke and Mattison) |
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Roderick Ewins |
76-79 |
| Lamu: Kenya’s Enchanted Island (Abungu and Abungu) |
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C. Kurt Dewhurst |
80-82 |
| Children’s Costume: The Complete Historical Sourcebook (Peacock) |
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Kelly G. Richardson |
83-84 |
| The Masons of Djenné (Marchand) |
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Ronald Rael |
85-86 |
| Chicana Art: The Politics of Spiritual and Aesthetic Altarities (Pérez) |
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Rachel V. Gonzalez |
87-89 |
| Museums and Education: Purpose, Pedagogy, Performance (Hooper-Greenhill) |
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Deeksha Nagar |
90-92 |
| The Human Economy: A Citizen’s Guide (Hart, Laville, and Cattani, eds.) |
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Lorenz Khazaleh |
93-95 |
| Uncommon Threads: Wabanaki Textiles, Clothing, and Costume (Bourque and LaBar) |
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Rhonda S. Fair |
96-98 |
| Interventions: Native American Art for Far-Flung Territories (Ostrowitz) |
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Elizabeth Hutchinson |
99-101 |
| Shoes: A History from Sandals to Sneakers (Riello and McNeil, eds.) |
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Carrie Hertz |
102-104 |
| Monument Wars: Washington, D.C., the National Mall, and the Transformation of the Memorial Landscape (Savage) |
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Edward T. Linenthal |
105-106 |
| The Arts of Kingship: Hawaiian Art and National Culture of the Kalākaua Era (Kamehiro) |
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Holly K. Coleman |
107-108 |
| Philena’s Friendship Quilt: A Quaker Farewell to Ohio (Chenoweth) |
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Jon Kay |
109 |
| Identity by Design: Tradition, Change, and Celebration in Native Women’s Dresses (Her Many Horses, ed.) |
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Laura Peers |
110-111 |
| Textiles Today: A Global Survey of Trends and Traditions (Colchester) |
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Terence Kavanagh |
112-114 |
| African Textiles: Color and Creativity Across a Continent (Gillow) |
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Beth A. Buggenhagen |
115-116 |
| Lanterns on the Prairie: The Blackfeet Photographs of Walter McClintock (Grafe, ed.) |
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Joanna Scherer |
117-118 |
| “Our Indian Princess”: Subverting the Stereotype (Mithlo) |
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Stephanie May de Montigny |
119-121 |
| OurSpace: Resisting The Corporate Control of Culture (Harold) |
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Mark Hayward |
122-123 |
| Human Remains: Guide for Museums and Academic Institutions (Cassman, Odegaard, and Powell, eds.) |
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Linda T. Grimm |
124-125 |
| The Museum of Anthropology at the University of British Columbia (Mayer and Shelton, eds.) |
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William Green |
126-127 |
| Cheap Meat: Flap Food Nations in the Pacific Islands (Gewertz and Errington) |
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David E. Sutton |
128-129 |
| Picturing Islam: Art and Ethics in a Muslim Lifeworld (George) |
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Karin Zitzewitz |
130-132 |
| Mestre Vitalino e artistas pernambucanos (Waldeck, ed.) [Reviewed in English] |
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Lori Hall-Araujo |
133 |
| Mestre Vitalino e artistas pernambucanos (Waldeck, ed.) [Reviewed in Portuguese] |
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Lori Hall-Araujo |
134 |
| Tivaivai: The Social Fabric of the Cook Islands (Küchler and Eimke) |
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Marsha MacDowell |
135-137 |
| Body Ornaments of Malaita, Solomon Islands (Burt) |
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Fanny Wonu Veys |
138-139 |
| An Infinity of Things: How Sir Henry Wellcome Collected the World (Larson) |
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Erin Louise Hasinoff |
140-143 |
| With a Single Glance: Buddhist Icon and Early Mikkyō Vision (Bogel) |
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Heather Blair |
144-146 |
| Living Our Cultures: Sharing Our Heritage: The First Peoples of Alaska (Crowell, Worl, Ongtooguk, and Biddison, eds.) |
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Aldona Jonaitis |
147-149 |
| Announcement: The Summer Institute in Museum Anthropology |
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Candace Greene |
155 |
