3D Applications in Conservation and Connoisseurship: Investigating and Supplementing the Scholarly Catalogues of the Red Faun

Main Article Content

Angela Marie Ratigan

Abstract

Focusing on the Capitoline Red Faun, this paper concerns the 3-dimensional digital model (3DDM) and its potential utility in creating accurate conservation condition reports. Tradition condition reports verbally express information about the state of a work of art, such as its preservation or past restorations, and are often supplemented with photographs or drawings. The various historical catalogues that have appraised the condition of the Capitoline Red Faun, more aptly referred to as “scholarly catalogues” demonstrate the potential for ambiguity within this practice; of the five accounts appraising the state of the Red Faun, no two agree on which parts are ancient and which belong to the eighteenth-century restorations of Bartolomeo Cavaceppi and Clemente Bianchi. Given that this sculpture is included within the art historical canon of Hellenistic sculpture, a new condition report is timely. This paper undertakes an exhaustive analysis of the various joins and offers another condition report, this one illustrated with an interactive, annotated 3DDM. When served to the public and scholars alike, these interactive condition reports can act as a critical tool, garnering interest in and facilitating re-appraisals of status such as the Capitoline Red Faun.

Downloads

Download data is not yet available.

Article Details

How to Cite
Ratigan, A. M. (2017). 3D Applications in Conservation and Connoisseurship: Investigating and Supplementing the Scholarly Catalogues of the Red Faun. Studies in Digital Heritage, 1(2), 123–164. https://doi.org/10.14434/sdh.v1i2.23579
Section
Research Articles
Author Biography

Angela Marie Ratigan, Ruprecht-Karls Universität Heidelberg

Doctoral Candidate,

Institut für klassische Archäologie

References

Francesco Paolo Arata. 1993. Carlo Antonio Napolioni e Clemente Bianchi. Bollettino Musei Comunali di Roma 7, 23-32.

Bernard Ashmole. 1961. Forgeries of Ancient Sculpture: Creation and Detection. The First J. L. Myres Memorial Lecture, Oxford, Blackwell, 3-15.

Maria Giulia Barberini. 1993. De lavori ad un fauno di rosso antico, ed altre sculture del Museo Capitolino, 1736-1746: Alessandro Gregorio Capponi, Carlo Antonio Napolioni e Clemente Bianchi. Bollettino dei musei comunali di Roma 7, 23-35.

Maria Giulia Barberini. 1994. La vita di Bartolomeo Cavaceppi. In Bartolomeo Cavaceppi scultore romano (1717-1719), Rome: Palombi.

Maria Giulia Barberini and Carlo Gasparri, eds. Bartolomeo Cavaceppi scultore romano (1717-1719), Rome: Palombi.

Elizabeth Bartman. 1991. Sculptural Collecting and Display in the Private Realm. In E. K. Gazda, ed.

Roman Art in the Private Sphere: New Perspectives on the Architecture and Décor of the Domus, Villa, and Insula, Ann Arbor: University of Michigan Press, 71-88.

Clive Bell. 1949. Art, London: Chatto and Windus.

Walter Benjamin. 1968. The Work of Art in the Age of Mechanical Reproduction. In H. Zohn, trans.

and H. Arendt, ed. Illuminations: Essays and Reflections, New York: Schocken, 217-252.

J. Dallaway. 1800. Anecdotes of the Arts in England or Comparative Observations on Architecture, Sculpture, & Painting, Chiefly Illustrated by Specimens at Oxford, London: Cornmarket Press, 272-73.

Robert M. Entwistle. 2008. Digital Condition Reports. In Icon: The Institute of Conservation 3 January 2008. Web < http://icon.org.uk/system/files/icon_news_14_january_2008.pdf>. Last accessed January 27, 2016.

Bernard Frischer. 2015. Three-Dimensional Scanning and Modeling. In Elise A. Friedland and Melanie Grunow Sobocinski with Elaine K. Gazda, eds. Oxford Handbook of Roman Sculpture, New York: Oxford University Press, 74-87.

Wolfgang Helbig. 1891. Führer durch die öffentlichen Sammlungen klassischer Althümer in Rom (Band 1): Die vatikanische Skulpturensammlung die kapitolinischen und das lateranische Museum, Leipzig: Verlag von Karle Baedeker.

Seymour Howard. 1982. Bartolomeo Cavaceppi, Eighteenth-Century Restorer, New York, Garland.

Seymour Howard. 1991. Ancient Busts and the Cavaceppi and Albacini Casts. In Journal of the History of Collections 3.2, 199-218.

Stuart H. Jones. 1912. A Catalogue of the Ancient Sculptures Preserved in the Municipal Collections of Rome: The Sculptures of the Museo Capitolino, Oxford; rpt. Rome 1969: L’Erma di Bretschneider.

William Macdonald and John Pinto. 1995. Hadrian’s Villa and Its Legacy, London: Yale University Press.

Maura Masini. 2014. Il restauro. Studi e restauri, Firenze: Ed. Polistampa, 53-55.

Pär Meiling, Gerold Esser, Norbert Pfeifer, Jan Rosvall. 2011. Optical Documentation Techniques for Condition Assessment of Facades: A Tentative Evaluation of Three Case Studies Executed in Götenborg and Vienna. In International Journal of Architectural Heritage, 5, 123-139.

Helen Nodding, Victoria Oakley, and Sandra Smith. Streamlining Condition Reporting: A New Approach at the Victoria and Albert Museum. In Icon: The Institute of Conservation 18 September 2008. Web. < http://icon.org.uk/system/files/icon_news_18_september_2008.pdf>. Last accessed 16 December 2015.

C.S. Patterson and K. Trentelman, eds. 2013. Integrating Imaging and Analytical Technologies for Conservation Practice: Report of an Experts Meeting Held September 10 – 12, 2013. (Los Angeles: Getty Conservation Institute, 2013). Web.

<http://www.getty.edu/conservation/our_projects/integrating_imaging.html>. Last accessed 2 August 2017.

Yosi Posilev. 2011. The iPad: Condition Reporting for the XXI Century. Western Association for Art Conservation Newsletter vol. 33 no. 1 (Jan. 2011), 11-13.

Nicholas Stanley Price, M. Kirby Talley Jr., and Alessandra Melucco Vaccaro, eds. 1996. Historical and Philosophical Issues in the Conservation of Cultural Heritage, Los Angeles: The Getty Conservation Institute.

Joachim Raeder. 1983. Die statuarische Austtatung der Villa Hadriana bei Tivoli, Frankfurt am Main; Bern: Lang.

Nancy H. Ramage. 2003. Cavaceppi and Modern Minimalism: The Derestoration of Roman Sculpture. In M. Kunze and A. Rügler, eds. Wiedererstandene Antike, Munich: Biering and Brinkmann, 167-170.

Nancy H. Ramage. 2002. Restorer and Collector: Notes on Eighteenth-Century Recreations of Roman Statues. Memoirs of the American Academy in Rome. Supplementary Volumes, 1, Ann Arbor: University of Michigan, 61-77.

Alois Riegl. 1903. Moderne Denkmalkultus: sein Wesen und seine Entstehung, Vienna: W.

Braumüller.

R.R.R. Smith. 1991. Hellenistic Sculpture, London: Thames and Hudson.

M. Kirby Talley. 1996. Introduction to Part 1. In Nicholas Stanley Price K. Kirby Talley Jr., and Alessandra Melucco Vaccaro, eds. Historical and Philosophical Issues in the Conservation of Cultural Heritage, Los Angeles: The Getty Conservation Institute, 2-42.

Melvin J. Wachowiak and Basiliki Karas. 2009. 3D Scanning and Replication for Museum and Cultural Heritage Applications. Journal of the American Institute for Conservation, vol. 48, no. 2, 141-158.

Heinrich Wölfflin. 1950. Principles of Art History: The Problem of the Development of Style in Later Art. M. D. Hottinger, trans. New York: Dover; originally published as Kunstgeschichtliche Grundbegriffe: Das Problem der Stilentwickelung in der neueren Kunst (Munich: F. Bruckmann, 1915).