With guest editor Barbara A. West.
Table of Contents
| Contents |
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|
|
AEER Editor |
1-2 |
| A Note from the Guest Editor |
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|
|
Barbara A. West |
3-4 |
Articles
| Citizen Sensibilities: Comparing Grassroots Environmental Activism in Finland and Hungary |
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|
Eeva Berglund, Krista Harper |
5-10 |
| Conservation versus Livelihood in the Danube Delta |
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|
|
Sandra Bell, Iulian Nichersu, Lucia Ionescu, Eugenia Iacovici |
11-15 |
| Wizards, Gurus, and Energy-Information Fields: Wielding Legitimacy in Contemporary Russian Healing |
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|
Galina Lindquist |
16-28 |
| Personal Transitions and Moral Change after Socialism: The Politics of Remedies in Russian Public Health |
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|
Michele Rivkin-Fish |
29-41 |
| Time in the Museum, the Museum in Time: The History of the Auschwitz-Birkenau State Museum |
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|
Amalia Rosenblum |
42-55 |
| De-Arranged Places: East German Art in the Museums of Unified Germany |
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|
Barbara Wolbert |
57-64 |
| Male Identity, the Military, and the Family in the Former German Democratic Republic |
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|
Andrew Bickford |
65-76 |
| The Impact and Embodiment of Western Expertise in the Restructuring of the Eastern German Media after 1990 |
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|
Dominic Boyer |
77-84 |
| Russian Decentralization and the Denial of History: An Analysis of the World Bank's Notion of Decentralization |
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|
Jarrett Zigon |
85-90 |
| Kosovo is the Most Expensive Serbian Word: Political Enchantment and Milosevic's Rise to Power |
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|
Marko Zivkovic |
91-97 |
| Longing and Belonging: The West as Territory of Nationness in Albania Cosmologies |
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|
Erind Pajo |
98-107 |
| Outside the Foreseeable Future: The Tyranny of Ethnicity Politics in Kosova |
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|
Isa Blumi |
109-127 |
| The 'Hafiz' Who Walked in Beauty: Epic Figures and Genealogical Memory among Turkish-Speaking Albanians in Macedonia |
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|
Burcu Akan Ellis |
128-137 |
| Between Neotraditionalism and New Resistance - Soldiers' Mothers of St. Petersburg |
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|
Eva Maria Hinterhuber |
139-152 |
Reviews
| Film Review: Diamonds in the Dark, By Olivia Lucia Carrescia, First Run/Icarus Films, 2000, 60 Minutes |
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|
Joel Marrant |
153-155 |
This work is licensed under a
Creative Commons Attribution 3.0 License.
