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This essay examines the editorial principles and activity of the Venetian editor Anton Federigo Seghezzi (1706–1743) and investigates especially the construction of his monumental expansion of one of Italy’s earliest and most important anthologies of early lyric poetry, the 1527 Giuntina, in his 1731 and 1740 editions of the Rime di diversi antichi autori toscani in dodici libri raccolti.
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