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<article dtd-version="1.1" article-type="book-review">
    <front>
        <journal-meta>
            <journal-id>TMR</journal-id>
            <journal-title-group>
                <journal-title>The Medieval Review</journal-title>
            </journal-title-group>
            <issn pub-type="epub">1096-746X</issn>
            <publisher>
                <publisher-name>Indiana University</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">23.10.15</article-id>
            <title-group>
                <article-title>23.10.15, Moffat (ed.), Medieval Arms and Armour: a Sourcebook</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Steve Muhlberger</surname>
                        <given-names/>
                    </name>
                    <aff>Nipissing University (retired)</aff>
                    <address>
                        <email>steven.muhlberger@gmail.com</email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2022">
                <year>2023</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Moffat, Ralph, ed</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Medieval Arms and Armour: a Sourcebook: Volume I, The Fourteenth Century</source>
                <series>Armour and Weapons</series>
                <year iso-8601-date="2022">2022</year>
                <publisher-loc>Woodbridge, UK</publisher-loc>
                <publisher-name>Boydell &amp; Brewer</publisher-name>
                <page-range>Pp. 352</page-range>
                <price>£65/$95 (hardback)</price>
                <isbn>978-1-78327-676-9 (hardback)</isbn>
            </product>
            <permissions>
                <copyright-statement>Copyright 2023 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p>Ralph Moffat, Curator of European Arms and Armour at Glasgow Museums and editor of this
            sourcebook, states that it is “born of a lifelong passion for medieval arms and armour.”
            This is clearly the case. And many other scholars are going to find this reference work
            a delight. </p>
        
        <p>When I say “scholars” in this context, I mean anyone who is interested in understanding
            the military tools that held a central place in the lives of medieval rulers and their
            followers. Scholars of medieval arms and armour include academics trained in military,
            literary, art and gender history, but also (as the Boydell Press blurb says) crafters,
            martial artists, and living history practitioners. Members of the latter groups rarely
            if ever come out of specialized programs in academic institutions. Yet they have an
            intimate knowledge of materials and techniques that, historians working in material
            science apart, few more conventional academics have the opportunity to acquire.
            Similarly, those who have studied arms and armour in a living-history context have
            sometimes a very limited training in traditional academic disciplines.</p>
       
        <p>So, scholars working on arms and armour constitute at best a scattered community using a
            variety of approaches to deal what is really a vast field. Moffat’s project is to create
            “a working vocabulary” or more than one, since this book is only volume one of a greater
            project. (Unfortunately, there is no hint how many volumes there will be.) </p>
        
        <p>The book is organized into four sections, plus bibliography and index. First, there are
            thirty-three pages of prefatory material--lists of illustrations and documents, the
            preface proper, acknowledgements, “Using the Sourcebook” (how various problems in the
            history of armour can be approached), “English Pronunciation” (a guide to users
            unfamiliar with fourteenth-century English), and “Towards a Working Vocabulary” (see
            below). Secondly, Part I includes the introduction to the Source-Types, including both
            textual and material sources. It discusses the characteristics of the various sources,
            such as documents, armour, and weapons. Part II includes transcriptions and translations
            of many documents and excerpts of documents in which the arms are mentioned, such as
            wills, inventories, and challenges to single combat. Finally, the volume has an
            illustrated glossary.</p>
        
        <p>This list of lists may seem to be disorganized, but there is a clear logic to Moffat’s
            work. The section title “Towards a Working Vocabulary” in the prefatory material could
            be the title of the whole book. He recognizes that the simplest and perhaps the most
            common use of the book will be to look up individual terms in the illustrated glossary.
            But many other uses are possible. Moffat has written this book to make it easy to
            connect terms to the different types of evidence for their appearance and the context in
            which they appear. Thus, if a researcher runs across the obscure term “gadelings,”
            Moffat not only defines it in the glossary as “knuckleduster-like spikes on a gauntlet”
            but directs the reader both to the passage in the <italic>Chronicle of Geoffrey le
                Baker</italic> where “gadelings” occurs in an account of a duel (rendered in the
            original Latin and in translation) and to figure 5, the effigy of the Black Prince,
            which shows spikes on his gauntlet. Inclusion of both original texts and translations in
            the Documents section makes the book far more valuable than if the source material had
            been presented only in one language. Some of the most difficult documents are
            inventories and similar lists. Without Moffat’s translations, or without the source
            material in the original languages, these documents might remain a closed book to many.
            Moffat’s presentation will open up this challenging material to a much wider audience. </p>
        
        <p>The vast bibliography--reaching back to the nineteenth century--and the well-organized
            index make this sourcebook more useful than if the editor had not been so thorough.
            Moffat wants to reach as many arms and armour scholars as he can. One expects that many
            individual researchers will find this book a necessity, but also that many academic and
            public libraries will find it a valuable addition to their reference collections.</p>
    </body>
</article>
