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    <front>
        <journal-meta>
            <journal-id>TMR</journal-id>
            <journal-title-group>
                <journal-title>The Medieval Review</journal-title>
            </journal-title-group>
            <issn pub-type="epub">1096-746X</issn>
            <publisher>
                <publisher-name>Indiana University</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">23.02.10</article-id>
            <title-group>
                <article-title>23.02.10, Gillis, Religious Horror and Holy War in Viking Age Francia</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Oren Falk</surname>
                        <given-names/>
                    </name>
                    <aff>Cornell University</aff>
                    <address>
                        <email>of24@cornell.edu</email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2022">
                <year>2023</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Gillis, Matthew Bryan</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Religious Horror and Holy War in Viking Age Francia</source>
                <series>Renovatio - Studies in the Carolingian World</series>
                <year iso-8601-date="2021">2021</year>
                <publisher-loc>Budapest, Hungary</publisher-loc>
                <publisher-name>Trivent</publisher-name>
                <page-range>Pp. 158</page-range>
                <price>€79 (hardback) €37 (paperback) €37 (free pdf available as open access) (ebook)</price>
                <isbn>978-615-6405-20-3 (hardback) 978-615-6405-19-7 (paperback) 978-615-6405-21-0 (ebook)</isbn>
            </product>
            <permissions>
                <copyright-statement>Copyright 2023 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p>Momentous events were unfolding in Frankish realms during the generation-and-a-half this
            book surveys, from the 880s to the 920s. Viking rapine reached a fever pitch: marauders
            penetrated along every major riverway, besieged Paris, seized territory, birthed
            Normandy. Yet, in spite of passing mention of the Norse, this book is not about vikings.
            Dissension among Charlemagne’s great-grandsons kept rending the empire into steaming,
            bleeding hunks, laying the predators in turn open to predation by rival aspirants. Yet,
            though Count Odo of Paris has a cameo, this book is not about Carolingian decline or
            dynastic contest. Pseudo-Isidore’s legacy bearers--to tar a host of ecclesiastical
            influencers with a single broad brush--worked the bellows of practical theology, in the
            process forging what would in time harden into canon law, Gregorian Reform, and papal
            monarchy. Yet, despite the central role churchmen and their writings play here, this
            book is not about the formation of prelates’ power apparatus.</p>
        
        <p>What is this book about, then? Gillis, a historian of early medieval religion, trains his
            gaze on the theology-to-pastoral-care pipeline, where spiritual jurisprudence plays out
            on lay practice and attitudes. His slender text, barely over 120 pages, is divided into
            four short chapters, here called “parts.” These focus, in sequence, on: the prologue to
            King Carloman II of West Francia’s 884 Capitulary of Ver; a contemporary hymn,
                <italic>Dominus, caeli rex et conditor</italic>, and slightly later commemorations
            of the excommunication of Count Winemar in 900 for his murder of Archbishop Fulco of
            Rheims; Abbo of Saint-Germain’s <italic>Bella Parisiacae urbis</italic>, a poem
            recounting the 885-6 viking siege of Paris; and three of the same author’s sermons, from
            a collection he compiled in the 920s. In these texts, Gillis discerns a unifying theme
            of “religious horror and holy war.” The right-thinking people who wrote and sponsored
            these texts, he says, appealed to images of unthinkable depravity in order to rally
            group cohesion against external enemies (such as the vikings) and, especially, to
            castigate internal enemies, those wrong-thinking people who did not accept the wisdom of
            submitting to the moral guidance of kings, bishops, and homilists.</p>
        
        <p>Gillis spotlights largely neglected sources--even the best-known, Abbo’s poem, tops out
            at under two dozen hits on the International Medieval Bibliography--and charts some
            overlooked connections among them (110). Commendably, he not only supplies his own
            translations of the (often extensive) excerpts cited, but also provides the Latin in
            footnotes and occasionally references existing modern-language versions (10n13, 67n136).
            His translations are serviceable, if often woody: readers may wonder what it means to
            “operate iniquity” (<italic>operantur iniquitatem</italic>, 125; “commit” or “engage in”
            would have been preferable) or may imagine “the holy Christ [who] bore the lance in his
            holy side” more as a knight couching his weapon to joust than as the crucified deity
                (<italic>sanctus in sancto Christus latere ultro lanceam suscepit</italic>, 118;
            “received,” “took,” perhaps even “endured”?). <italic>A quo magno animarum periculo
                tribuat vobis salvator iugiter declinare et semper bene facere, quo possitis gratiam
                Dei obtinere per omnia secula seculorum</italic> seems quite straightforward, even
            if the English stumps me (“From which great danger to souls may the Savior constantly
            bestow on you to avoid and always do good, so that you can obtain God’s grace forever
            and ever,” 115). Typos are reasonably unobtrusive.</p>
        
        <p>Beyond its value in bringing to the fore understudied medieval sources, the book’s own
            analytic contribution merits consideration. “Holy war” seems a transparent enough
            concept. There is nothing particularly surprising about bellicose rhetoric that invokes
            a moral obligation to fight evil-doers, nor, in an ecclesiastical context, about such
            rhetoric taking on the specific rhythms of Christian ideology. Gillis thinks something
            more, however, is afoot: in Abbo’s and others’ accounts of the siege of Paris, for
            practically the first time (84), Christian warriors who fell in battle were celebrated
            as martyrs, so that saber-rattling was wedded to the adulation of victimhood. This
            tectonic shift in the understanding of martyrdom, Gillis tells us, paved the way to the
            even more radical legitimation of righteous Christian violence in the High Middle Ages.
            By the concluding sentence, he explicitly deems it “reasonable to wonder whether”
            crusading ideologues at the turn of the twelfth century may have been “echoing, however
            distantly,” the messages Abbo and his circle crafted at the turn of the tenth (131).</p>
        
        <p>As Gillis himself shows, however, Carolingian hagiographers seem to have taken pains to
            paint their martial martyrs as non-combatant at the moment of death: one falls into a
            pit and is skewered while immobilized in the trap, others surrender on the promise of
            safe-conduct but are betrayed and executed (84-6). These men earn their crowns in ways
            more reminiscent of Saint Martin or other Roman soldier-martyrs than of later
            beneficiaries of remission of sins. Unlike in Bernard of Clairvaux’s day, the
            biographical fact of their having committed as well as suffered violence is carefully
            edited out of their saintly résumé.</p>
        
        <p>In 1095 and subsequent centuries, the calamities perceived as justifying the call to holy
            arms are well known, but what analogous catalyst does Gillis identify in the environs of
            Rheims around 900? There may have been no shortage of abuse, forceful redistribution of
            wealth, and outright killing, as anyone with even a cursory familiarity with viking
            incursions and the “bad customs” of castellans knows. In places, Gillis seems to say
            that such hardships alone constituted “religious horror” and so possess sufficient
            explanatory power: Sigloard’s graphic description of “Winemar’s gang of soldiers
            gathered around the archbishop, bludgeoning him with clubs as their leader put him to
            the sword” (54), allegedly would have fueled Christians’ fury. Gillis seems to forget
            that such pathos-filled narratives, precisely because they seem aimed at fanning
            emotion, may attest to their audience’s baseline apathy. As some of the international
            responses to current events in Ukraine and elsewhere remind us, there may also be a wide
            gulf between bystanders’ feelings of outrage and their actual willingness to do anything
            about the atrocities that provoke it.</p>
        
        <p>For the most part, however, Gillis focuses on specific motifs that upgraded mere
            malefactors into “monstrous soldier robbers” (97, 102). One recurring set of images,
            indexing utter depravity, involves cannibalism, sketched in terms drawn from
            authoritative passages like Galatians 5:15 (9, 16-17). Another imaginary indexes not the
            crime but its punishment: the torment of rotting alive, maggots generating spontaneously
            in one’s flesh--preferably the genitals--to devour it. As Gillis acknowledges, such
            stomach-turning word-pictures already had a long pedigree, going back to Lactantius and
            Jerome and beyond, and would flourish for centuries to come--shout out to Menocchio and
            Sepúlveda--but in the immediate context, he avers, they sought to whip Christians’ moral
            revulsion at the catastrophes afflicting them into a violent counter campaign, a holy
            war.</p>
        
        <p>The thesis is provocative, but does not hold water. Contemporary authors did denounce
            affronts against the Church, its property, and its people, sometimes using the kinds of
            lurid language Gillis highlights. But it is neither particularly salient nor especially
            agentive in the sources he analyses. Carloman II (or the churchman who used him as a
            mouthpiece), silent on the subject of worms, warns that “if we devour and consume
            ourselves, that is we pillage, we soon come to naught” (<italic>si nosmetipsos comedimus
                et consumimus, id est depraedamur, cito deficiemus</italic>, 8-9, 10n13); Gillis
            expansively glosses this rather bland exegetical alliteration as depicting “sinners as
            flesh-eating, blood-drinking horrors haunting the kingdom” (8). Winemar, for Flodoard,
            is a “murderer” (<italic>interemptor</italic>), not an anthropophagus; he suffers a
            fatally gangrenous wound, “so that his flesh rotting...he was living devoured by worms
            [until] no one could approach him on account of the immeasurable stench” (62-3). Rather
            than seeking to incite Christians to action, this (firmly conventional) description of a
            bad sinner coming to a bad end--unquestionably disgusting--establishes God’s propensity
            to dish out appropriately severe vengeance without human intervention. Abbo, meanwhile,
            has hardly any use for either motif (except perhaps once, in passing, in one of his
            sermons, 105).</p>
        
        <p>Even where the purple motifs Gillis singles out do show up, they need not signal the kind
            of moralizing revulsion he supposes them to. Speaking of one of the heroic defenders of
            Paris, Abbo notes that he could “spit seven [vikings] on a single shaft, / Whom joking
            he ordered the living to offer to the cook” (<italic>Quos ludens alios iussit prebere
                coquina</italic>, 79). Gillis does not seem to notice that he here cites one of his
            authors bantering in light-hearted approval about shish-kabobbing human flesh. And
            unlike the allegorically flavored allusions Gillis interprets in earnest, here the
            reference is clearly to literal (if counter-factual) transformation of men to meat. No
            opprobrium clings to the suggestion of cannibalism--quite the opposite--so long as it is
            our guy impaling theirs.</p>
        
        <p>The evidence for what Gillis terms “religious horror” is thus by and large simply not
            there. He makes up for this absence by introducing his own excess-marking, hence
            excess-making, labels: citing Jeffrey Jerome Cohen and others, Gillis sprinkles
            “monstrosity” and related words, on average, once per page. Is monster theory relevant
            at all, however, when its terminology corresponds to nothing in particular in the
            sources? Gillis’s “monstrous soldier robbers,” cited above, might just as well be
            stripped of tendentious intensifiers and labelled “robbers” <italic>tout court</italic>,
            as the medieval sources often call them (e.g., Abbo’s <italic>Sermo adversus raptores
                qui bona pauperum hominum diripiunt</italic>, 102).</p>
        
        <p>Dwelling on the second qualifier in Gillis’s phrase reveals another cluster of problems.
            Are these robbers “soldiers”? The use of such anachronistic language--likewise, “murder”
            and its derivatives--speaks to Gillis’s reluctance to engage with scholarship on feuding
            societies (which Francia in the period surely was), on the so-called anarchy of the
            tenth century (which, some historians maintain, really only existed in the minds of
            ecclesiastical propagandists, who would have readily embraced Abbo and Sigloard as their
            own), and on the Peace of God movement, only touched on in brief (129n291). Gillis is
            quite right to suggest “that medieval rhetoric of correction and condemnation might
            generally be regarded as a form of spiritual warfare that authorities waged against
            Christians, whose sins and crimes endangered the church” (129-30)--only, substitute
            “feuding” for “warfare,” qualify “authorities” as “in their own (but not necessarily
            their rivals’) eyes,” and understand the imperiled “church” to mean “the self-proclaimed
            authorities’ position of social privilege.” To students of tenth-century social and
            political realities, there is really nothing surprising about any of this.</p>
        
        <p>To his great credit, Gillis lays bare both his evidence and his inferential process,
            making such critique of his analysis possible. By the same token, he allows his reader
            to benefit from aspects of his analysis which he himself perhaps does not sufficiently
            foreground. Most importantly, to my mind, he identifies a distinctive strain of theodicy
            in how Abbo writes in his <italic>Sermo de fundamento et incremento
                Christianitatis</italic> of “an ongoing struggle against evil, which involved not
            only the lamentable persecution and suffering of Christians, but also their punishment
            when their sins incited divine wrath” (12): so far, nothing an Alcuin or a Photius
            didn’t also surmise when shaken by viking depredations. Where the latter concluded that
            all of Christian society was diffusely infected with sin and must repent as a whole if
            it had any hope of being spared further chastisement, however, Abbo distinguishes “God’s
            servants [from] their oppressors, who included those expected to fight [vikings]” but
            who had been rendered impotent by their innate sinfulness (116). In delivering such
            delinquents into the hands of their enemies, God repaid them appropriately. At the same
            time, He condemned the innocents they had been tasked with defending to no less grim a
            fate.</p>
        
        <p>The same gory cataclysm thus simultaneously signifies divine retribution against some
            Christians--the unworthy <italic>bellatores</italic> routed and slain by the Norse--and
            exultation of others, “the faithful and especially clerics and monks” (117), similarly
            massacred but to their (spiritual) benefit. As Gillis recognizes (128), Abbo has here
            abandoned any hope of converting “monstrous eaters of Christian flesh into heroic
            would-be martyrs defeating Satan’s minions” (107-8); instead, he seems to flirt with
            predestination.</p>
        
        <p><italic>Religious Horror and Holy War in Viking Age Francia</italic> is the first volume
            in a new series, <italic>Renovatio</italic>: Studies in the Carolingian World. The
            series editor is Matthew Bryan Gillis. Although his own book might perhaps have
            benefited from rigorous scrutiny by a more dispassionate editor, who could have helped
            weed out excesses and play up subdued insights, there is every reason to anticipate
            future offerings in this series with optimism and delight.</p>
    </body>
</article>
