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    <front>
        <journal-meta>
            <journal-id>TMR</journal-id>
            <journal-title-group>
                <journal-title>The Medieval Review</journal-title>
            </journal-title-group>
            <issn pub-type="epub">1096-746X</issn>
            <publisher>
                <publisher-name>Indiana University</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">22.06.18</article-id>
            <title-group>
                <article-title>22.06.18, Henley/Smith (eds.), A Companion to Geoffrey of Monmouth</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Victoria Flood</surname>
                        <given-names/>
                    </name>
                    <aff>University of Birmingham</aff>
                    <address>
                        <email>v.flood@bham.ac.uk</email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2022">
                <year>2022</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Henley, Georgia and Joshua Byron Smith</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>A Companion to Geoffrey of Monmouth</source>
                <series>Brill's Companions to European History</series>
                <year iso-8601-date="2020">2020</year>
                <publisher-loc>Leiden, Netherlands</publisher-loc>
                <publisher-name>Brill</publisher-name>
                <page-range>Pp. xviii, 575</page-range>
                <price>€195.00 / $234.00 (hardback)</price>
                <isbn>978-90-04-41039-8 (hardback)</isbn>
            </product>
            <permissions>
                <copyright-statement>Copyright 2022 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p>Georgia Henley and Joshua Byron Smith’s <italic>Companion to Geoffrey of Monmouth
           </italic> presents a very welcome addition to scholarship on a significant figure in
            Insular, and wider European, literature and history. The collection brings together both
            longstanding and new scholarship on Geoffrey’s work, situated in medieval multilingual
            and cross-border contexts, highlighting, alongside established lines of enquiry,
            important new areas in which I hope we will continue to see future developments.</p>

        <p>Smith’s introduction offers a nuanced appraisal of scholarship on Geoffrey’s biography,
            beginning from debates concerning Geoffrey’s identification as Breton or Welsh, a
            position which often turns on theories regarding the British book on which Geoffrey
            claimed to base his history of the Britons. In a significant, and as far as I am aware
            highly original, contribution Smith suggests that the British book might be understood
            not--as has generally been assumed--as a (fictionalised or otherwise) Breton or Welsh
            genealogy or chronicle but Dares Phrygius’s account of the fall of the Troy with which
                <italic>De gestis Britonum</italic> (termed elsewhere <italic>Historia regum
                Britanniae</italic>)is often paired. This possibility reads
            intriguingly, and especially illuminatingly, with the discussion of Dares in Paul
            Russell’s account of Geoffrey’s classical engagements in Chapter 2. </p>
     
        <p>The first part of the volume is concerned, as we might expect, with Geoffrey’s source
            relationships. In chapter 1, Ben Guy provides a thorough account of Geoffrey’s
            linguistic competencies and his Welsh sources, including, alongside the <italic>Historia
                Brittonum,</italic> genealogies, and prophecy, Geoffrey’s likely engagement with
            hagiographical literature relating to St. David. In chapter 2, Russell details the
            classical and biblical inheritance of Geoffrey, engagements which are “allusive,
            potentially elusive, and sometimes illusory” (71), compared usefully to the Old
            Testament allusions of the near-contemporary <italic>Life of Gruffudd ap Cynan.
           </italic> Chapter 3 surveys the complex relationship between Geoffrey and English
            historiography. Rebecca Thomas offers an astute reading of the side-lining of English
            power in the later, post-conquest, part of <italic>De gestis</italic>, an “alternative
            vision of British history” (107) which draws on the textual authority of Bede even as it
            presents a profound reimagining of that earlier source content. In chapter 4, Maud
            Burnett McInerney approaches Geoffrey’s <italic>Prophetiae Merlini,</italic> an interest
            threaded through many of the earlier chapters of the volume. McInerney observes in the
            prophecies an anxiety about the status of history, and the textual function of prophecy,
            which McInerney seems to suggest might even be read as fabulous (I would have liked to
            have read more on this perception, which sits interestingly with the uses of prophecy as
            a medieval historiographical convention, after Geoffrey).</p>

        <p>Part 2 of the volume explores the “Contemporary Contexts” of Geoffrey’s works. In chapter
            5, Jaako Tahkokallio gives a useful account of the early dissemination of the text and
            its monastic reception, and raises the tantalising possibility of the early production
            of copies for personal use. The early reader reception of Geoffrey is discussed in
            chapter 6 by Simon Meecham-Jones, including discussion of the familiar charge by English
            historians of Geoffrey’s invention. These very charges--of Geoffrey’s departure from
            authorities such as Bede (see also Thomas’s chapter)--Meecham-Jones suggests, “prove
            unexpectedly valuable in uncovering the sophistication and ambition of Geoffrey’s work”
            (203). In chapter 7, Siân Echard provides an overview of the Latin commentary tradition
            on Geoffrey, and continuations such as the Albina story, as well as the early Latin
            romances, which are strikingly indicative of the plurality of the ways in which Geoffrey
            was read, not least on the discursive level (by turns history and romance). The history
            of this discursive refocusing is extended in Françoise Le Saux’s discussion of
                <italic>De gestis</italic> and twelfth-century romance in chapter 8. Addressing the
            relationship between Latin and vernacular translation, Le Saux observes that Geoffrey’s
            prologue, which praises the beauty of the British book (if we assume this to be in Welsh
            or Breton) and laments his own rustic Latin, might “challenge…the presumption of the
            aesthetic superiority of Latin over the vernacular” (236), an observation which reminds
            us of the status of prestige vernaculars during this period, and is essential to the
            volume’s wider interest in the relationship between Welsh and European literature. Le
            Saux’s central concern is the French translation of <italic>De gestis,</italic> in which
            we start to see the emergence of “proto-romance” features, including the developed
            presentation of the wealthy heiress (239), and a relationship to <italic>romans
                d’antiquité.</italic> Chapter 9 looks again to Wales, as Owain Wyn Jones
            contextualises the relationship of Geoffrey to late-medieval understandings of the Welsh
            past and present, revisiting Geoffrey’s Welsh sources (further to Part 1) and detailing
            the Welsh <italic>brutiau</italic> tradition (translations of <italic>De
            gestis</italic>). In chapter 10, neatly cutting through many of the intertextual knots
            that have plagued work on this subject, Georgia Henley situates Geoffrey’s work in the
            context of the conventions of twelfth-century English historiography, noting that
                <italic>De gestis</italic> is distinct not in thematic interest or rhetorical strategy (for
            Geoffrey’s English contemporaries, insular history was similarly a mirror to the
            present), but in “choice of subject matter and the treatment of sources” (313).</p>
      
        <p>The third part of the volume, “Approaches,” presents a series of thematically engaged
            essays, beginning with Michael Faletra’s analysis of the “colonial preoccupations” of
                <italic>De gestis</italic> (chapter 11),exploring the resonances of the text’s
            imaginary acts of imperial theatre, such as Arthur’s coronation. Given the volume’s
            likely student readership, a brief account of the theoretical contextualisation of
            medieval postcolonialism, in application to Wales and Ireland, would have been welcome
            here, but the question is certainly a vast one and (as Faletra has written elsewhere) is
            a book in and of itself. chapter 12, by Fiona Tolhurst (†), “Geoffrey and Gender,” reads
            excitingly in relation to Le Saux’s observations on Galfridian romance elsewhere in the
            volume, and again gestures to the origins of romance in Geoffrey’s writing. It is
            particularly pleasing to see discussion of the <italic>Vita Merlini</italic> here, which
            Tolhurst reads in relation to the validation of female power, the presentation of female
            learning and authority in the figure of Morgan, and Merlin’s prophetic sister, Ganieda
            (whom Tolhurst sees as a double to the trickster prophet himself). In chapter 13, Coral
            Lumbley makes an important case for the ways in which <italic>De gestis</italic>
            establishes an influential “system of race in which hybridisation operates as a useful
            tool in empire-building” (370). There is a great deal that might, and I hope will
            continue to be, written on this topic--not least (as Lumbley suggests) the relationship
            between Geoffrey’s work and the Islamophobia that we might associate with the figure of
            the giant of St. Mont Michel and Mordred’s African allies. The final chapter in this
            section, by Barry Lewis, draws on a number of issues inevitably discussed earlier in the
            volume--Geoffrey’s relationship to historiography and hagiography--to offer a succinct
            sense of his representation of the Church. While I wonder whether some of this material
            might have been integrated elsewhere, I am certainly grateful to have this stand-alone
            account.</p>
   
        <p>The <italic>Companion</italic> is an ambitious undertaking, and there are points where
            elements of the wider scholarly context are necessarily compressed by the
                <italic>Companion</italic> format. This is most notably the case in Part 4,
            “Reception,” which traces the international reception of <italic>De gestis</italic> (the
                <italic>Vita</italic> is generally understood to have seen limited circulation).
            This is material that in many cases cannot be contained easily within a single chapter,
            although the accounts here given present a useful resource, offering a precis of work on
            the well-attested reception of Galfridian material in its Iberian contexts (Paloma
            Gracia’s discussion of its Castilean reception, in chapter 16; Nahir I. Otaño Gracia’s
            account of Galfridiana in Aragon, in chapter 17; and Santiago Gutiérrez García’s
            analysis of reception in Portugal and Galicia, in chapter 25); in Dutch translation
            (David F. Johnson, chapter 19); English (Elizabeth Bryan, chapter 19); French (Jean
            Blacker, chapter 20); Old Norse-Icelandic (Hélène Tétrel, chapter 23); Italian (Fabrizo
            De Falco, chapter 24; although citation of Laura Chuhan Campbell’s 2017 book on the
            continental reception of Merlinian prophecy is a notable omission in the research
            overview given here); and its life in Scotland (Victoria Shirley, chapter 26); although
            the chapter on Wales (given that discussion of Geoffrey’s Welsh reception and
            translation is a broader feature of the volume) was not necessarily essential. This part
            of the volume also includes useful statements on the absence, or limited nature, of
            evidence of Galfridian dissemination, such as Thomas H. Crofts’s account of Geoffrey in
            Byzantium in chapter 15 (where we find it, a product of the spread of Latin
            Christendom); and Smith’s brief accounts of the limited reception (in translation, at
            least) of Geoffrey’s writings in Germany, in marked contrast to the wider interest in
            Arthuriana in this region (chapter 21); and Ireland where a distinctive historical and
            prophetic tradition precluded extensive reception of <italic>De gestis
           </italic> (chapter 23). While I am in general in favour of the presentation of this type
            of research in geographical succession rather than alphabetical order, the latter has
            the important effect of de-centring the western limits we have a tendency to privilege
            in our accounts of Galfridian reception and is a pedagogically sound editorial
            decision.</p>
  
        <p>The <italic>Companion</italic> encompasses a universe of scholarship, and while in places
            its scope is perhaps greater than the format always allows, it presents a rich resource.
            A comprehensive state of the field of immense value to a graduate, and a sophisticated
            undergraduate, student audience, it is also essential reading for scholars engaged with
            advanced work on Geoffrey of Monmouth and his legacy, which will leave you full of ideas
            of what we might do with Geoffrey next.</p>
    </body>
</article>