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<article dtd-version="1.1" article-type="book-review">
    <front>
        <journal-meta>
            <journal-id>TMR</journal-id>
            <journal-title-group>
                <journal-title>The Medieval Review</journal-title>
            </journal-title-group>
            <issn pub-type="epub">1096-746X</issn>
            <publisher>
                <publisher-name>Indiana University</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">21.12.05</article-id>
            <title-group>
                <article-title>21.12.05, Response: Orlemanski to Citrome on Orlemanski, Symptomatic Subjects, Philadelphia: University of Pennsylvania Press, 2019 (21.12.03).</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Julie Orlemanski</surname>
                    </name>    
                    <aff>University of Chicago</aff>
                    <address>
                        <email>julieorlemanski@uchicago.edu</email>
                    </address>
                </contrib>
            </contrib-group>       
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2021">
                <year>2021</year>
            </pub-date>
            
            <permissions>
                <copyright-statement>Copyright 2021 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p>In his review, Jeremy Citrome insinuates that I’ve plagiarized him (“uncomfortably close
            parallels to <italic>The Surgeon in Medieval English Literature</italic>”) because
            related thematics (selfhood, excrement, the entanglement of healing and hurting,
            fantasies of bodily wholeness) emerge in our interpretations of late-medieval English
            medicine and literature. These shared thematics derive from the examination of largely
            different texts, within a conspicuously unshared overall argument, theoretical
            framework, and set of particular conclusions, as Citrome acknowledges. It is absurd to
            imply that this thematic overlap is plagiarism. </p>
        <p>I’ve previously served as a book-reviews editor and am currently a journal editor. A
            policy of simply “letting reviews stand” (as the TMR editor communicated to me) when
            they contain accusations of professional wrong-doing and unethical behavior is
            startling. These are accusations that redound directly on my standing as a scholar, not
            in terms of the quality of my work but in terms of my intellectual honesty. I'm
            bewildered that evidently no one at TMR took that seriously in the editing process. </p>
        <p> </p>
        <p>_______________________________________________________________</p>
        <p> </p>
        <p><italic>TMR provides authors the opportunity to respond to reviews of their
                work.</italic></p>
    </body>
</article>
