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<article dtd-version="1.1" article-type="book-review">
  <front>
    <journal-meta>
      <journal-id>TMR</journal-id>
      <journal-title-group>
        <journal-title>The Medieval Review</journal-title>
      </journal-title-group>
      <issn pub-type="epub">1096-746X</issn>
      <publisher>
        <publisher-name>Indiana University</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">14.09.07</article-id>
      <title-group>
        <article-title>14.09.07, Urbanski, Writing History for the King (John Spence)</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name>
            <surname>Spence</surname>
            <given-names/>
          </name>
          <aff>Independent scholar</aff>
          <address>
            <email>jbwspence@gmail.com</email>
          </address>
        </contrib>
      </contrib-group>
      <pub-date publication-format="epub" date-type="pub" iso-8601-date="2014">
        <year>2014</year>
      </pub-date>
      <product product-type="book">
        <person-group>
          <name>
            <surname>Urbanski, Charity</surname>
            <given-names/>
          </name>
        </person-group>
        <source>Writing History for the King: Henry II and the Politics of Vernacular
                  Historiography, </source>
        <year iso-8601-date="2013">2013</year>
        <publisher-loc>Ithaca, NY</publisher-loc>
        <publisher-name>Cornell University Press</publisher-name>
        <page-range>Pp. 272</page-range>
        <price>$69.95 (hardback)</price>
        <isbn>9780801451317 (hardback)</isbn>
      </product>
      <permissions>
        <copyright-statement>Copyright 2014 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
      </permissions>
    </article-meta>
  </front>
  <body>
    <p> This book contributes to the growing body of scholarship exploring the agendas and
               approaches of those innovative twelfth-century vernacular chroniclers who wrote
               compelling histories in Old French that offered persuasive lessons for their
               contemporary readers. Charity Urbanksi's aim here is to understand how two such
               works, Wace's <italic>Roman de Rou</italic> and Benoît de Sainte-Maure's <italic>Chronique des ducs de Normandie</italic>, took up this challenge with the
               added spur that their patron (and possibly their most demanding reader) was Henry II
               himself, seeking an account of his Norman ancestors. The central proposition of the
               book is that Wace chose not to satisfy the requirements of a royal commission to
               recount the king's family history in a manner which suited Henry's needs (given the
               challenges of his rise to power and his reign), whereas Benoît (as Wace's successor
               in the role) cleaved closely to a partisan, celebratory approach. In broad outline,
               this will be familiar to those already acquainted with recent scholarship on Wace and
               Benoît, such as the work of Elisabeth van Houts, Francoise Le Saux and Jean Blacker,
               but the argument has been fleshed out in considerable detail by Urbanski.</p>
    <p> The first chapter sets the context for the writing of Old French historical
               narratives in the mid-twelfth century, providing a useful summary of the current
               scholarly consensus around the transition from verse to prose and of Wace and
               Benoît's predecessors in vernacular history-writing. This does not focus on the
               different formal models or rhetorical effects which Peter Damian-Grint has explored;
               rather it sets the scene in terms of the kinds of histories being recounted and their
               audiences.</p>
    <p> Chapter 2 deals with the reign of Henry II as context for the challenges which,
               Urbanski argues, drove the king to commission first the <italic> Rou</italic> and
               then the <italic>Chronique</italic>. This focuses on the circumstances under which
               Henry came to the throne and his early concern to establish his sons' succession;
               later events such as his dispute with Thomas Becket and his sons' rebellions are
               somewhat played down in comparison, though these are factors that Urbanski later
               returns to for their influence on Wace and Benoît's writing.</p>
    <p> Urbanski's third chapter tackles Wace's <italic>Roman de Rou</italic>, and
               describes a more partisan and political Wace than the one who has usually emerged
               from recent studies. Here, Wace's motivations in providing his unique account of
               Norman history are seen as primarily stemming from his personal and institutional
               background. His efforts to present multiple accounts, particularly of the Norman
               Conquest and Henry I's reign, are, Urbanski suggests, to provide 'cover' (90) for
               Wace to criticise the Norman historical orthodoxy and advance an alternative, more
               critical narrative of events--a narrative Wace secretly supported. There is less of
               the uncertain, tentative Wace that we have sometimes seen in recent criticism; in
               Urbanski's view Wace is methodically testing the limits to what criticism he can
               advance within the new genre of a royally-commissioned vernacular history.</p>
    <p> The final chapter turns its attention to Benoît's <italic>Chronique des ducs de
                  Normandie</italic> which Wace tells us was commissioned when his own <italic>Rou</italic> failed to please Henry II. Benoît's consistency in representing the
               official line of Norman historiography over both the Conquest and Henry I's conflicts
               with his elder brother Robert Curthose is, perhaps inevitably, less exciting to
               consider than Wace's adventurous development of a new, multi-voiced narrative.
               However, Urbanski carefully looks at Benoît's conservative treatment of his sources,
               illustrating the care he took to represent the succession of Norman kings as almost
               beyond reproach. The Conclusion, as well as pulling together the threads of the
               book's argument, glances at the legacy of the <italic>Rou</italic> and the <italic>Chronique</italic>, noting the irony that Wace's text apparently became more
               widely read than Benoît's more official account. This is perhaps not unconnected with
               its willingness to depart from the official Norman view of the past.</p>
    <p> The main text of the book is accessible and in many ways helpful in introducing Wace
               and Benoît to those unfamiliar with these histories. However, the book does include
               many long quotations from both the <italic>Rou</italic> and the <italic>Chronique</italic> which are usually placed in its footnotes, with lines separated by
               diagonal slashes, and these are not often translated (there is a rare exception at p.
               199, n. 145), but are quite frequently paraphrased in part in the body of the text.
               This presentation may have been required by the press to keep the book a publishable
               length, but it does make it more challenging to continually relate the argument to
               the crucial evidence in the primary texts.</p>
    <p> Regardless of this minor point, this is a careful analysis of Wace and Benoît's
               differing approaches to Norman and English history in the context of Henry II's
               reign. It will surely be used by those studying these significant writers in the
               future. </p>
    <p/>
  </body>
</article>
