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<article dtd-version="1.1" article-type="book-review">
  <front>
    <journal-meta>
      <journal-id>TMR</journal-id>
      <journal-title-group>
        <journal-title>The Medieval Review</journal-title>
      </journal-title-group>
      <issn pub-type="epub">1096-746X</issn>
      <publisher>
        <publisher-name>Indiana University</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">14.03.28</article-id>
      <title-group>
        <article-title>14.03.28, Iogna-Prat, et al., eds., Cluny (Scott G. Bruce)</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name>
            <surname>Bruce</surname>
            <given-names/>
          </name>
          <aff>University Colorado at Boulder</aff>
          <address>
            <email>scott.bruce@colorado.edu</email>
          </address>
        </contrib>
      </contrib-group>
      <pub-date publication-format="epub" date-type="pub" iso-8601-date="2014">
        <year>2014</year>
      </pub-date>
      <product product-type="book">
        <person-group>
          <name>
            <surname>Iogna-Prat, Dominique , Michel Lauwers, Florian Mazel and Isabelle Rosé</surname>
            <given-names/>
          </name>
        </person-group>
        <source>Cluny: Les moines et la société au premier âge féodal, Art et Société</source>
        <year iso-8601-date="2013">2013</year>
        <publisher-loc>Rennes</publisher-loc>
        <publisher-name>Presses Universitaires de Rennes</publisher-name>
        <page-range>Pp. 592</page-range>
        <price>€35.00</price>
        <isbn>978-2-7535-2791-1</isbn>
      </product>
      <permissions>
        <copyright-statement>Copyright 2014 Trustees of Indiana University. Indiana University provides the information contained in this file for non-commercial, personal, or research use only. All other use, including but not limited to commercial or scholarly reproductions, redistribution, publication or transmission, whether by electronic means or otherwise, without prior written permission of the copyright holder is strictly prohibited.</copyright-statement>
      </permissions>
    </article-meta>
  </front>
  <body>
    <p>
2010 was a momentous year in French monastic history because it marked
the 1100th anniversary of the founding of the abbey of Cluny by Duke
William I of Aquitaine in 910.  On the eve of this anniversary, a
careful listener could hear the gears of scholarly industry grind into
motion in preparation for a year of commemorative events that hailed
Cluny's incomparable contribution to medieval European culture.  There
followed in slow procession the obligatory large format, heavily
illustrated publications that commemorated the commemorations.  For
this occasion of patrimonial pride, the French spared no expense. 
First came the massive <italic>Cluny 910-2010: Onze siècles de
rayonnement</italic> edited by Neil Stratford and others, which accompanied
a major exhibition at Cluny.  Published in the summer of 2010, this
catalogue is a gorgeous confection of learned micro-studies of many
different aspects of Cluniac monasticism adorned with beautiful
reproductions of manuscript pages and pieces of sculpture.  Arriving
slightly later on the scene and reflecting two colloquia held at
Romainmôtier and Cluny in 2010 is the volume under review.  In many
ways, <italic>Cluny: Les moines et la société au premier âge féodal</italic>
serves the same purpose as Stratford's volume: it is a handsomely
produced <italic>omnium gatherum</italic> of state-of-the-question articles on
the history of Cluny that will find its place in tourist-oriented
bookstores in Burgundy and elsewhere in France. [1]  But in an effort
to distinguish their enterprise from Stratford's, the editors have
narrowed the focus of their commemoration to Cluny in "the first
feudal age" (880-1050) with a nod toward the interaction of monks with
the secular society.  The result is a narrowly specialized
commemoration of the earliest history of Cluniac monasticism that will
appeal specifically--and probably exclusively--to historians of the
central Middle Ages.</p>
    <p>This book is a sprawling production, comprising thirty-six short
articles in French organized into three broad thematic sections, each
with several specific subsections.  After two brief "ouvertures"
(discussed below), the first part of the book treats topics related to
the practical, conceptual, and artistic influence of Cluniac
monasticism on the institutional church from the late Carolingian
period to the age of the Gregorian reform.  Several articles discuss
the relationships and rivalries that existed between communities of
monks and canons, as well as bishops, particularly in urban settings. 
A section on reform monasticism between "cult" and "culture" features
articles on the creation of documents of practice, the Cluniac
liturgy, and a long study of early musical notation in monastic
manuscripts.  Visual representation is the topic of the next section,
with treatments of book illuminations and wall paintings, among other
media.  The second part of the book examines the relationships between
monks and laymen.  It begins with a welcome essay by Régine Le Jan on
the political role of women as monastic founders in the late
Carolingian period ("La fondation de Cluny, le genre et le premier âge
féodal"), a topic too often overlooked in Cluniac scholarship.  Other
articles in this section treat more traditional subjects like land-
holding, political and spiritual alliances, and the relationship of
Cluny with the kings of Burgundy.  Many of the polychrome maps that
accompany these studies are stunning, as are the photographs of the
remains of several early eleventh-century <italic>castra</italic> relevant to
some of the papers (see, for example, p. 363, ill. 13).  The third and
final part of the book considers Cluny in the context of monumental
building in the tenth and eleventh centuries.  In these sections, well
rendered architectural plans and photographs of existing buildings
wrestle with the text on nearly every page in articles about modes of
construction, elite dwellings, recent news on archaeological
excavations of Cluniac buildings, and the role of monumental
architecture in the process of monastic reform.</p>
    <p>For the most part, these articles are useful, though at times very
technical, introductions to their respective topics.  The repeated use
of qualifying subtitles like "quelques propositions," "quelques
réflexions," "problématique de la recherche," and "nouvelles
perspectives de recherche," gives the reader a sense of the tenor of
the entire collection: many of the articles are exploratory and
suggestive; none of them is comprehensive.  Moreover, for all of its
length, this collection does not have the width that one would expect
from a collection of nearly forty articles on Cluny in the tenth and
eleventh centuries.  Literary activity, especially the production of
hagiography and monastic poetry, which were both well represented
during the abbacy of Odo (927-942), receives very little attention
here.  This is unfortunate, as Odo's <italic>Life of Gerald of Aurillac</italic>
spoke directly to the sins of the very same aristocratic circles that
the abbot had abandoned for the cloister.</p>
    <p>This collection (along with its companion volume cited in n. 1 below)
is an important addition to the libraries of Cluniac historians.  The
breadth of general topics covered therein (history, art history,
architecture, manuscript studies) will make it an attractive purchase
for research universities, in no small part because the price is very
reasonable for so large a book.  The editors' use of the term "premier
âge féodal" deserves a final comment.  The phrase immediately brings
to mind the first volume of Marc Bloch's <italic>La société féodale</italic>,
which first appeared in 1939 and has been the subject of much debate
in French, German and English scholarship. [2]  As the two
introductory essays in the volume make clear, however, Bloch was not
particularly interested in monasticism, but he did a great deal to
popularize the period between 900 and 1050 as a distinctive era in
European society characterized by social relationships and hierarchies
of power in which abbeys played an important role.  By adopting
Bloch's terminology, the editors are not attempting to forward his
arguments about feudalism or to stake a claim in the recent debates
about its legacy.  Rather, they are tapping into the popular French
association of the "premier âge féodal" as the period in which Cluny
ascended from obscurity to great influence in western Europe.</p>
    <p>--------</p>
    <p>Notes:</p>
    <p>1. As a pendant to this volume, the University of Rennes has
simultaneously published <italic>Cluny après Cluny: Constructions,
reconstructions et commémorations, 1790-2010</italic>, edited by Didier
Méhu.</p>
    <p>2.  For an introduction to the problem of the definition of
"feudalism" with a heavy emphasis on English-language scholarship, see
Richard Abels, "The Historiography of a Construct: 'Feudalism' and the
Medieval Historian," <italic>History Compass</italic> 7 (2009): 1008-1031.</p>
    <p/>
  </body>
</article>
