"A Great Love, A Great Pain": Saba’s Lesson on Vittorio Sereni and Giovanni Giudici Federico Carrera
Main Article Content
Abstract
Umberto Saba (1883–1957) visse i decisivi anni della sua riscoperta come poeta e autore centrale nel panorama di rinnovamento culturale dell’Italia del secondo dopoguerra tra Firenze, Roma, Milano e Trieste. Proprio mentre si trovava a Roma e a Milano ebbe importanti contatti editoriali: nel giro di pochi anni uscirono Mediterranee (Milano, Mondadori 1946), le prose di Scorciatoie e raccontini (Milano, Mondadori 1946), la terza edizione del Canzoniere (1900–1947) (Torino, Einaudi 1948), il fondamentale saggio Storia e cronistoria del Canzoniere (Milano, Mondadori 1948) e venne avviata la pubblicazione dell’opera omnia, in quindici volumi (Milano, Mondadori 1949–1959). In questo periodo, Saba entrò anche in contatto con grande parte della poesia di quegli anni, in particolar modo con due poeti allora appartenenti a una generazione ben più giovane, Vittorio Sereni (1913–1983) e Giovanni Giudici (1924–2011), nelle cui poetiche molto agirono la lezione e il modello sabiani.
Umberto Saba (1883–1957) spent the years of his rediscovery as a central poet and author in the panorama of cultural renewal in post-war Italy living between Florence, Rome, Milan and Trieste. Indeed, precisely when he lived in Rome and in Milan he had important editorial contacts: in that period, he wrote and published Mediterranee (Milan, Mondadori 1946), the prose of Scorciatoie e raccontini (Milan, Mondadori 1946), the third edition of the Canzoniere (1900–1947) (Rome, Einaudi 1948) and the fundamental Storia e cronistoria del Canzoniere (Milan, Mondadori 1948). In the same period, he also started the publication of his complete works, in fifteen volumes (Milan, Mondadori 1949–1959). Saba also encountered a large part of the poetry of those years, in particular two poets then belonging to a much younger generation, Vittorio Sereni (1913–1983) and Giovanni Giudici (1924–2011), in whose poetics Saba’s lesson and model were very influential
Downloads
Article Details
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (see:http://creativecommons.org/licenses/by/3.0/us/) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors warrant that their submission is their own original work, and that they have the right to grant the rights contained in this license. Authors also warrant that their submission does not, to the best of your knowledge, infringe upon anyone's copyright. If the submission contains material for which an author does not hold the copyright, authors warrant that they have obtained the unrestricted permission of the copyright owner to grant Indiana University the rights required by this license, and that such third-party owned material is clearly identified and acknowledged within the text or content of their submission.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.