Remediation Qualms & A Transmission History of Robert Frost’s Public Talks

Main Article Content

Setsuko Yokoyama

Abstract

In anticipation of an online audio edition that I am in the final stages of preparing, this article offers a transmission history of Robert Frost’s public talks, analyzing possible reasons why these talks the poet delivered between 1915 and 1962 have largely receded from public memory in the last sixty years. Specifically, the article examines how Frost’s conflated definition of ‘written prose’ has stifled both Frost and his editors, and how it subsequently rendered talk transcripts, or ‘written records of spoken prose’, as a subpar form of expression that calls for an extensive revision to be read as more formal essays, i.e., ‘prose composed directly in writing’. Instead of being stifled by what I call ‘remediation qualms’ — misgivings about a shift in media formats from aural to written text, as well as misplaced desires to uphold a particular image of the poet through remedial editorial interventions — this article calls for recognizing and citing Frost’s public talks as a genre of their own.

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Article Details

Section
Essays
Author Biography

Setsuko Yokoyama, Singapore University of Technology and Design

Setsuko Yokoyama is a literary historian whose work concerns the sociopolitical history of speech-to-text technology in the late nineteenth and early twentieth centuries. She earned her doctorate in English from the University of Maryland in 2020 as one of the inaugural graduates of its Digital Studies in the Arts and Humanities program. She also holds a master’s degree in Information Science from the University of Michigan School of Information, which she obtained in 2015 while on a Fulbright scholarship. After completing a postdoctoral appointment at Washington University in St. Louis as an American Council of Learned Societies Emerging Voices Fellow in 2021, she joined the Singapore University of Technology and Design as an Assistant Professor of Digital Humanities. Her work has been published in Stanford University’s Arcade, The Robert Frost Review, International Journal of Disability and Social Justice, Reviews in Digital Humanities, and Sounding Out!.