Texting Afro-Atlantic Tales The Production and Circulation of Ritual Narratives in Afro-Cuban Libretas
Main Article Content
Abstract
This article explores two forms of under-examined Afro-Cuban material texts that are crucial to the education of Lucumi adherents and initiates at every stage of their unfolding religious journeys. Libretas are co-created sacred texts compiled and cared for by Afro-Cuban religious community members. These libretas (“notebooks” in English) are central to orienting religious lives and actualizing sacred pedagogy, as they contain a wealth of information on divination, ritual, history, and communicating with deities and ancestors. The notebooks are carefully transcribed, edited, and curated to preserve linguistic diversity, and their texts contain topics that include iconography, biography, vocabularies, prayers, and practices. The phenomenon of co-constructing religious notebooks challenges popular and contemporary notions of authorship, particularly in European and American academic contexts. Libretas, in Afro-Cuban religious milieux, are a core part and process of a historically situated multilingual and polyvocal textual process that entails the intellectual expression and innovation of practitioners actively navigating multiple faiths and are part of a unifying thread that extends through and beyond any one religious domain or geography.
Downloads
Article Details
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (see:http://creativecommons.org/licenses/by/3.0/us/) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors warrant that their submission is their own original work, and that they have the right to grant the rights contained in this license. Authors also warrant that their submission does not, to the best of your knowledge, infringe upon anyone's copyright. If the submission contains material for which an author does not hold the copyright, authors warrant that they have obtained the unrestricted permission of the copyright owner to grant Indiana University the rights required by this license, and that such third-party owned material is clearly identified and acknowledged within the text or content of their submission.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.