From Furtwängler to Photogrammetry A Standardized 3D Workflow for Greek Pottery
Article Sidebar
Main Article Content
Abstract
This article presents a comprehensive framework for the three-dimensional documentation and scholarly study of Greek pottery, integrating high resolution photogrammetry, 3D-modelling, and immersive visual environments. Central to the methodology is the creation of accurate and reproducible 3D models derived from calibrated high-resolution photographic data. The presented workflow supports the simulation of material appearance through physically based rendering techniques, enabling the visual differentiation of surfaces such as glossy slips and matte clay fabrics. From the resulting models, analytical outputs including photorealistic renderings, digital cross sections and rollouts of the decoration are generated in accordance with established documentation conventions in pottery studies. All components of the documentation process are preserved in curated in standardized datasets. These are accompanied by structured metadata, paradata, and contextual information and are made available through research data repository Bonndata at the University of Bonn to ensure long term accessibility, and reproducibility. The article further explores the pedagogical application of these digital surrogates in virtual reality teaching environments designed to support object centered and context informed learning. Students are able to examine and compare archaeological objects at life scale and in simulated contexts, facilitating deeper engagement with typology, function, and stylistic variation. The article concludes by highlighting the importance of integrating digital documentation and visualization techniques into archaeological training curricula as a necessary step toward a sustainable and methodologically robust future for the study of Greek pottery.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
From 18 May 2018, the contents of Studies in Digital Heritage are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). Our submitting authors pay no fee and retain the copyright to their own work.
How this works: to submit their work to the journal, authors grant Studies in Digital Heritage a nonexclusive license to distribute the work according to a CC BY-NC 4.0 license. Once an article is published, anyone is free to share and adapt its contents—provided only that they do so for noncommercial purposes and properly attribute the shared or adapted information. Details of these terms can be found on the Creative Commons website.
Download SDH’s full author agreement here
Studies in Digital Heritage will insert the following note at the end of any work published in the journal:
© [Year] by the authors. This article is an open-access article distributed under the terms and conditions of the Creative Commons Attribution License CC BY-NC 4.0 (https://creativecommons.org/licenses/by-nc/4.0/).
References
Aicardi, Irene, Filiberto Chiabrando, Andrea Maria Lingua, and Francesca Noardo. 2018. “Recent Trends in Cultural Heritage 3D Survey: The Photogrammetric Computer Vision Approach.” Journal of Cultural Heritage 32:257–66. https://doi.org/10.1016/j.culher.2017.11.006.
Bartsch, Tatjana, Marcus Becker, and Charlotte Schreiter. 2010. “Das Originale Der Kopie. Eine Einführung.” In Bredekamp, Bartsch, and Becker 2010, 1–26.
Bayer, Paul Victor, Stephan Karl, Hubert Hubert, and András Márton. 2018. “Advanced Documentation Methods in Studying Corinthian Black-Figure Vase Painting.” https://doi.org/10.11588/heidok.00025189.
Beale, Gareth. 2018. “Authenticity and Cultural Heritage in the Age of 3D Digital Reproductions.” In Authenticity and Cultural Heritage in the Age of 3D Digital Reproductions, edited by Paola Di Giuseppantonio Franco, Fabrizio Galeazzi, and Valentina Vassallo. McDonald Institute conversations. Cambridge, UK: McDonald Institute for Archaeological Research, University of Cambridge.
Bechtold, Sebastian, Susanne Krömker, Hubert Mara, and Bettina Kratzmüller. 2010. “Rollouts of Fine Ware Pottery Using High Resolution 3D Meshes.”.
Bekele, Mafkereseb Kassahun, Roberto Pierdicca, Emanuele Frontoni, Eva Savina Malinverni, and James Gain. 2018. “A Survey of Augmented, Virtual, and Mixed Reality for Cultural Heritage.” J. Comput. Cult. Herit. 11 (2): 1–36. https://doi.org/10.1145/3145534.
Bentz, Martin, ed. 2002. Vasenforschung Und Corpus Vasorum: Standortbestimmung Und Perspektiven. Beihefte zum Corpus Vasorum Antiquorum Deutschland 1. München: Beck. https://publikationen.badw.de/de/014140293.
Bentz, Martin. 2002. “Zur Geschichte Des CVA, in: Vasenforschung Und Corpus Vasorum Antiquorum. Standortbestimmung Und Perspektiven.” In Bentz 2002, 9–15.
Bibby, David, Kai-Christian Bruhn, Alexandra Busch et al. 2022. “Digitales Forschungsdatenmanagement in der Archäologie und die Initiative NFDI4Objects.” https://doi.org/10.5281/zenodo.5823868.
Boletsis, Costas, and Jarl Erik Cedergren. 2019. “VR Locomotion in the New Era of Virtual Reality: An Empirical Comparison of Prevalent Techniques.” Advances in Human-Computer Interaction 2019:1–15. https://doi.org/10.1155/2019/7420781.
Bonn Center for Digital Humanities. 2025. “Dataverse.” Accessed June 10, 2025. https://Bonndata.uni-bonn.de/dataverse/bcdh.
Borbein, Adolf. 2000. “Zur Geschichte Der Wertschätzung Und Verwendung Von Gipsabgüssen Antiker Skulpturen (Insbesondere in Deutschland Und in Berlin).” In Les Moulages De Sculptures Antiques Et L'histoire De L'archéologie: Actes Du Colloque International, Paris, 24 Octobre 1997, edited by Henri Lavagne, 29–43. École Pratique des Hautes Études, IVe Section, Sciences Historiques et Philologiques III, Hautes études du monde gréco-romain 29. Genève: Droz.
Bredekamp, Horst, Tatjana Bartsch, and Marcus Becker, eds. 2010. Das Originale Der Kopie: Kopien Als Produkte Und Medien Der Transformation Von Antike (Transformationen Der Antike ; Bd. 17): De Gruyter.
Cain, Hans Ulrich. 1995. “Gipsabgüsse. Zur Geschichte Ihrer Wertschätzung.” Anzeiger des Germanischen Nationalmuseums, 200–215. https://zenon.dainst.org/Record/001217143. Accessed October 31, 2023.
Classical Art Research Centre. 2007. “CVA Online.” Accessed June 10, 2025. https://www.cvaonline.org/cva/Home.
Conen, N., H. Hastedt, O. Kahmen, and T. Luhmann. 2018. “IMPROVING IMAGE MATCHING by REDUCING SURFACE REFLECTIONS USING POLARISING FILTER TECHNIQUES.” Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci. XLII-2:267–74. https://doi.org/10.5194/isprs-archives-XLII-2-267-2018.
Derudas, Paola, and Åsa Berggren. 2021. “Expanding Field-Archaeology Education: The Integration of 3D Technology into Archaeological Training.” Open Archaeology 7 (1): 556–73. https://doi.org/10.1515/opar-2020-0146.
Doneus, M., G. Verhoeven, M. Fera, Ch. Briese, M. Kucera, and W. Neubauer. 2011. “From Deposit to Point Cloud – a Study of Low-Cost Computer Vision Approaches for the Straightforward Documentation of Archaeological Excavations.” Geoinformatics FCE CTU 6 (0): 81–88. https://doi.org/10.14311/gi.6.11.
Farella, Elisa Mariarosaria, Luca Morelli, Simone Rigon, Eleonora Grilli, and Fabio Remondino. 2022. “Analysing Key Steps of the Photogrammetric Pipeline for Museum Artefacts 3D Digitisation.” Sustainability 14 (9): 5740. https://doi.org/10.3390/su14095740.
Feuser, Stefan, and Adriana Günzel. 2025. “Virtual Worlds Project.” Accessed June 10, 2025. https://www.virtualworldsarchaeology.com/.
Flohr, Pascal, René van Horik, Costas Papadopoulos et al. 2024. “Shaping the World of 3D: Towards a Roadmap for Increased Reusability of 3D Cultural Heritage Datasets.”.
Frost, Adam, Sophia Mirashrafi, Clara Molina Sánchez, David Vacas-Madrid, Elina Rodriguez Millan, and Lyn Wilson. 2023. “Digital Documentation of Reflective Objects: A Cross-Polarised Photogrammetry Workflow for Complex Materials.” In 3D Research Challenges in Cultural Heritage III. Vol. 13125, edited by Marinos Ioannides and Petros Patias, 131–55. Lecture Notes in Computer Science. Cham: Springer International Publishing.
Furtwängler, Adolf, and Karl Reichhold. 1904. Griechische Vasenmalerei: Auswahl hervorragender Vasenbilder 1. München: Bruckmann.
Galeazzi, Fabrizio. 2016. “Towards the Definition of Best 3D Practices in Archaeology: Assessing 3D Documentation Techniques for Intra-Site Data Recording.” Journal of Cultural Heritage 17:159–69. https://doi.org/10.1016/j.culher.2015.07.005.
Galliani, Silvano, Katrin Lasinger, and Konrad Schindler. 2015. “Massively Parallel Multiview Stereopsis by Surface Normal Diffusion.” In 2015 IEEE International Conference on Computer Vision (ICCV), 873–81.
Gallo, Alessandro, Maurizio Muzzupappa, and Fabio Bruno. 2014. “3D Reconstruction of Small Sized Objects from a Sequence of Multi-Focused Images.” Journal of Cultural Heritage 15 (2): 173–82. https://doi.org/10.1016/j.culher.2013.04.009.
Garstki, Kevin. 2017. “Virtual Representation: The Production of 3D Digital Artifacts.” J Archaeol Method Theory 24 (3): 726–50. https://doi.org/10.1007/s10816-016-9285-z.
Graepler, Daniel, and Norbert Eschbach. 2014. “Von Der Stilprobe Zum Meisterwerk: Zu Den Fragmenten Griechischer Keramik in Den Wachsenden Universitätssammlungen Des Späten 19. Und Frühen 20. Jhs.” In Zanker, Schmidt, and Steinhart 2014, 123–36.
Guidi, Gabriele, and Davide Angheleddu. 2016. “Displacement Mapping as a Metric Tool for Optimizing Mesh Models Originated by 3D Digitization.” J. Comput. Cult. Herit. 9 (2): 1–23. https://doi.org/10.1145/2843947.
Hirschmüller, Heiko. 2008. “Stereo Processing by Semiglobal Matching and Mutual Information.” IEEE transactions on pattern analysis and machine intelligence 30 (2): 328–41. https://doi.org/10.1109/TPAMI.2007.1166.
Houska, Peter, Stefan Lengauer, Stephan Karl, and Reinhold Preiner. 2021. “Direct Elastic Unrollings of Painted Pottery Surfaces from Sparse Image Sets.” In Eurographics Workshop on Graphics and Cultural Heritage, edited by Hulusic, Vedad and Chalmers, Alan, 131–40.
Huvila, Isto. 2018. “The Subtle Difference Between Knowledge and 3D Knowledge.” Hamburger Journal für Kulturanthropologie (7): 99–111. http://nbn-resolving.de/urn:nbn:de:gbv:18-8-11966.
Ioannides, Marinos, Drew Baker, Athos Agapiou, and Petros Siegkas, eds. 2025. 3D Research Challenges in Cultural Heritage 15190. Cham: Springer Nature Switzerland.
Ioannides, Marinos, Elena Karittevli, Panayiotis Panayiotou, and Drew Baker. 2025. “Integrating Paradata, Metadata, and Data for an Effective Memory Twin in the Field of Digital Cultural Heritage.” In Ioannides et al. 2025, 24–35.
Isaac, Antoine, Kate Fernie, Valentina Bachi et al. 2025. “Making the Europeana Data Model a Better Fit for Documentation of 3D Objects.” In Ioannides et al. 2025, 63–74.
Jones, Siân, Stuart Jeffrey, Mhairi Maxwell, Alex Hale, and Cara Jones. 2018. “3D Heritage Visualisation and the Negotiation of Authenticity: The ACCORD Project.” International Journal of Heritage Studies 24 (4): 333–53. https://doi.org/10.1080/13527258.2017.1378905.
Kaeser, Bert. 2002. “Herstellungs- Und Schicksalsspuren, Nachträge.” In Bentz 2002, 65–71.
Kaneda, Akihiro, Tomomi Nakagawa, Kohei Tamura, Koji Noshita, and Hisashi Nakao. 2022. “A Proposal of a New Automated Method for SfM/MVS 3D Reconstruction Through Comparisons of 3D Data by SfM/MVS and Handheld Laser Scanners.” PloS one 17 (7): e0270660. https://doi.org/10.1371/journal.pone.0270660.
Karl, Stephan, Paul Bayer, Hubert Mara, and András Márton. 2018. “Advanced Documentation Methods in Studying Corinthian Black-Figure Vase Painting.” In Digitize: Research‐Record‐Reactivate‐Reconstruct. Proceedings of the 23rd International Conference on Cultural Heritage and New Technologies, Vienna, Austria, 1–13. https://www.chnt.at/wp-content/uploads/eBook_CHNT23_Karl.pdf.
Karl, Stephan, Daniel Jungblut, and Rosc, Jördis: Erlach, Rudolf. 2013. “Berührungsfreie Und Nicht Invasive Untersuchung Antiker Keramik Mittels Industrieller Röntgen-Computertomografie.” In Trinkl 2013, 73–114.
Kazhdan, Michael, Matthew Bolitho, and Hugues Hoppe. 2006. “Poisson Surface Reconstruction.” In Symposium on Geometry Processing, edited by Alla Sheffer and Konrad Polthier: The Eurographics Association.
Kingsland, Kaitlyn. 2020. “Comparative Analysis of Digital Photogrammetry Software for Cultural Heritage.” Digital Applications in Archaeology and Cultural Heritage 18:e00157. https://doi.org/10.1016/j.daach.2020.e00157.
Klamm, Stefanie. 2010. “Neue Originale. Medienpluralität in Der Klassischen Archäologie Des 19. Jahrhunderts.” In Bredekamp, Bartsch, and Becker 2010, 47–68.
Kockel, Valentin. 2000. “Dhieweilen Wier Die Antiquen Nicht Haben Können … «*: Abgüsse, Nachbildungen Und Verkleinerungen Antiker Kunst Und Architektur Im 18. Und 19. Jh.” In Antikensammlungen Des Europäischen Adels Im 18. Jahrhundert Als Ausdruck Einer Europäischen Identität: Internationales Kolloquium in Düsseldorf Vom 7.2. - 10.2.1996, edited by Dietrich Boschung and Henner von Hesberg, 31–48. Monumenta artis Romanae 27. Mainz am Rhein: Verlag Philipp von Zabern. https://archiv.ub.uni-heidelberg.de/propylaeumdok/2485/1/Kockel_Dhieweilen_wier_die_Antiquen_2000.pdf. Accessed October 31, 2023.
Kompakkt Development Team. 2025. “Kompakkt.” Accessed June 06, 2025. https://kompakkt.github.io.
Kurtz, Donna. 2004. “A Corpus of Ancient Vases. Hommage À Edmond Pottier.” Revue archéologique 38 (2): 259. https://doi.org/10.3917/arch.042.0259.
Lang, Matthias, Philippe Kluge, and Ramadan Hussein. 2023. “The 3D Digital Documentation of Shaft K24 in Saqqara.” In Ancient Egypt, New Technology. The Present and Future of Computer Visualization, Virtual Reality and Other Digital Humanities in Egyptology, edited by Rita Lucarelli, Joshua A. Roberson, and Stephen Vinson, 186–212. Harvard Egyptological Studies 17. Leiden, Boston: BRILL.
Lang, Matthias, Philippe Kluge, Frigga Kruse, and Vinzenz Rosenkranz. 2022. “Advent City: Die Rekonstruktion Einer Untergegangenen Siedlung in Der Virtuellen Realität.” Polarforschung 90 (2): 49–61. https://doi.org/10.5194/polf-90-49-2022.
Langlotz, Ernst. 1928. “Über Das Fotografieren Von Griechischen Vasen.” Archäologische Anzeiger, 94–101.
Langner, Martin. 2020. “Materialität Und Objektevidenz Griechischer Vasen.” In Die Materialität Griechischer Vasen: Mikrohistorische Perspektiven in Der Vasenforschung, edited by Martin Langner and Stefan Schmidt. 1. Auflage, 9–14. Corpus Vasorum Antiquorum. Deutschland. Beihefte Band 9. München: Verlag der Bayerischen Akademie der Wisenschaften.
Lanjouw, Tijm. 2024. “4DRL Report Series 8 - Scanning for Restitution: Documenting the Allard Pierson’s Centuripe Pyxis Using Cross-Polarisation Photogrammetry and RTI.”.
Mannack, Thomas. 2012. Griechische Vasenmalerei: Eine Einführung. Darmstadt: Zabern, Philipp von. https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=7085955.
Mara, Hubert. 2012. “Documentation of Rotationally Symmetric Archaeological Finds by 3D Shape Estimation.” Heidelberg University Library.
Mara, Hubert, and Julia Portl. 2013. “Acquisition and Documentation of Vessels Using High-Resolution 3D-Scanners.” In Trinkl 2013, 25–40.
Merrell, Paul, Amir Akbarzadeh, Liang Wang et al. 2007. “Real-Time Visibility-Based Fusion of Depth Maps.” In 2007 IEEE 11th International Conference on Computer Vision, 1–8.
Morgan, Colleen, Helen Petrie, Holly Wright, and James Stuart Taylor. 2021. “Drawing and Knowledge Construction in Archaeology: The Aide Mémoire Project.” Journal of Field Archaeology 46 (8): 614–28. https://doi.org/10.1080/00934690.2021.1985304.
NFDI 4 Objects Consortium. 2025. “NFDI 4 Objects.” Research Data Infrastructure for the Material Remains of Human History. Accessed June 10, 2025. https://www.nfdi4objects.net/.
Niccolucci, Franco, Achille Felicetti, and Sorin Hermon. 2022. “Populating the Data Space for Cultural Heritage with Heritage Digital Twins.” Data 7 (8): 105. https://doi.org/10.3390/data7080105.
Nicolae, C., E. Nocerino, F. Menna, and F. Remondino. 2014. “Photogrammetry Applied to Problematic Artefacts.” Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci. XL-5:451–56. https://doi.org/10.5194/isprsarchives-XL-5-451-2014.
Olson, Brandon Richard, William Rodney Caraher, and Sebastian Heath, eds. 2015. Visions of Substance: 3D Imaging in Mediterranean Archaeology. Grand Forks: The Digital Press @ The University of North Dakota.
Olson, Brandon Richard, and Ryan A. Placchetti. 2015. “A Discussion of the Analytical Benefits of Image Based Modeling in Archaeology.” In Olson, Caraher, and Heath 2015, 17–26.
Pace, Alessandro, and Daniele Bursich. 2021. “New Perspectives on Documenting Attic Pottery.” Archeologia e Calcolatori 32 (2): 83–94. https://doi.org/10.19282/ac.32.2.2021.08.
Papadopoulos, Costas, Kelly Gillikin Schoueri, and Susan Schreibman. 2025. “And Now What? Three-Dimensional Scholarship and Infrastructures in the Post-Sketchfab Era.” Heritage 8 (3): 99. https://doi.org/10.3390/heritage8030099.
Porter, Samantha Thi, Morgan Roussel, and Marie Soressi. 2016. “A Simple Photogrammetry Rig for the Reliable Creation of 3D Artifact Models in the Field.” Adv. archaeol. pract. 4 (1): 71–86. https://doi.org/10.7183/2326-3768.4.1.71.
Potenziani, Marco, Marco Callieri, and Roberto Scopigno. 2018. “Developing and Maintaining a Web 3D Viewer for the CH Community: An Evaluation of the 3DHOP Framework.”.
Quantin, Matthieu, Sarah Tournon, Mehdi Chayani, Xavier Granier, and Florent Laroche. 2025. “Publishing and Long-Term Archiving 3D Data in Humanities.” In Ioannides et al. 2025, 75–88.
Rabinowitz, Adam. 2015. “The Work of Archaeology in the Age of Digital Surrogacy.” In Olson, Caraher, and Heath 2015, 27–42.
Ravanelli, Roberta, Lorenzo Lastilla, and Silvia Ferrara. 2022. “A High-Resolution Photogrammetric Workflow Based on Focus Stacking for the 3D Modeling of Small Aegean Inscriptions.” Journal of Cultural Heritage 54:130–45. https://doi.org/10.1016/j.culher.2022.01.009.
Reu, Jeroen de, Gertjan Plets, Geert Verhoeven et al. 2013. “Towards a Three-Dimensional Cost-Effective Registration of the Archaeological Heritage.” Journal of Archaeological Science 40 (2): 1108–21. https://doi.org/10.1016/j.jas.2012.08.040.
Reu, Jeroen de, Philippe de Smedt, Davy Herremans, Marc van Meirvenne, Pieter Laloo, and Wim de Clercq. 2014. “On Introducing an Image-Based 3D Reconstruction Method in Archaeological Excavation Practice.” Journal of Archaeological Science 41:251–62. https://doi.org/10.1016/j.jas.2013.08.020.
Richter, Gisela Marie Augusta. 1939. Red-Figured Athenian Vases in the Metropolitan Museum of Art. New Haven, Conn., London: Yale Univ. Press; Milford.
Rieke-Zapp, Dirk, and Santiago Royo. 2018. “Structured Light Scanning.” In Digital Techniques for Documenting and Preserving Cultural Heritage, edited by Anna Bentkowska-Kafel and Lindsay MacDonald, 247–52. Collection Development, Cultural Heritage, and Digital Humanities. Leeds: Arc Humanities Press.
Russel, Jeff. 2024. “Basic Theory of Physically-Based Rendering.” Accessed October 03, 2024. https://marmoset.co/posts/basic-theory-of-physically-based-rendering/.
Salvaggio, Nanette. 2019. Basic Photographic Materials and Processes. With the assistance of J. Shagam. 4th ed. Milton: Routledge. https://permalink.obvsg.at/.
Sapirstein, Philip. 2018. “A High-Precision Photogrammetric Recording System for Small Artifacts.” Journal of Cultural Heritage 31:33–45. https://doi.org/10.1016/j.culher.2017.10.011.
Sapirstein, Philip. 2020. “Human Versus Computer Vision in Archaeological Recording.” 1 4 (2): 134–59. https://doi.org/10.14434/sdh.v4i2.31520.
Schmidt, Stefan. 2014. “CVA Today. Some Remarks.” In Le cratère à volutes: Destinations d’un vase de prestige entre Grecs et non-Grecs : actes du Colloque international du Corpus Vasorum Antiquorum, Paris, 26-27 octobre 2012, edited by Martine Denoyelle, Juliette de La Genière, Claude Pouzadoux, and Athéna Tsingarida, 9–12. Cahiers du Corpus vasorum antiquorum. France.
Schoueri, Kelly, Costas Papadopoulos, and Susan Schreibman. 2021. “PURE3D Survey on 3D Web Infrastructures: Final Report.” Unpublished manuscript, last modified June 10, 2025. https://pure3d.eu/wp-content/uploads/2022/02/3D-Infrastructure-Survey-Report_PURE3D-1.pdf.
Schreiter, Charlotte. 2015. “Gipse Im Museum: Zur Aufstellung Von Abgüssen Antiker Plastik Im 19. Jahrhundert.” Hamburger Journal für Kulturanthropologie, 89–102. http://nbn-resolving.de/urn:nbn:de:gbv:18-8-8305. Accessed October 30, 2023.
Schulz, Martin. 2002. “Das CVA Als Informationsquelle: Ein Erfahrungsbericht.” In Bentz 2002, 19–21.
Sketchfab Team. 2025. “Sketchfab.” Accessed June 06, 2025. https://sketchfab.com.
Steinhart, Matthias. 2014. “Adolf Furtwängler, Karl Reichhold Und Die «Griechische Vasenmalerei», Oder: Tradition Und Gestaltung Eines Imaginären Museums.” In Zanker, Schmidt, and Steinhart 2014, 149–60.
Storeide, Markus Sebastian Bakken, Sony George, Aditya Sole, and Jon Yngve Hardeberg. 2023. “Standardization of Digitized Heritage: A Review of Implementations of 3D in Cultural Heritage.” Herit Sci 11 (1). https://doi.org/10.1186/s40494-023-01079-z.
The Research Data Service Center. 2025. “Bonndata.” Accessed June 10, 2025. https://Bonndata.uni-bonn.de/.
Triggs, Bill, Philip Mclauchlan, Richard Hartley, and Andrew Fitzgibbon. 2000. “Bundle Adjustment ‐ a Modern Synthesis.” In International Workshop on Vision Algorithms. Vol. 1883, edited by Bill Triggs, Andrew Zisserman, and Richard Szeliski, 298–372. Lecture Notes in Computer Science. Corfu, Greece: Springer-Verlag. https://inria.hal.science/inria-00548290.
Trinkl, Elisabeth. 2011. Corpus Vasorum Antiquorum. Österreich. Wien, Kunsthistorisches Museum, Band 5: Verlag der Österreichischen Akademie der Wissenschaften.
Trinkl, Elisabeth, ed. 2013. Interdisziplinäre Dokumentations- Und Visualisierungsmethoden. 1 vol. Corpus vasorum antiquorum. Österreich. Beiheft. Wien: Verlag der Österreichischen Akademie der Wissenschaften.
Unger, Martina. 2015. “»Ein Durchaus Ungewöhnliches, Ja Bis Jetzt Einziges Stück«: Archäologie, Antikenhandel Und Fälschungen Im 19. Jahrhundert.” In Rezeption, Zeitgeist, Fälschung - Umgang Mit Antike(N): Akten Des Internationalen Kolloquiums Am 31. Januar Und 1. Februar 2014 in Tübingen, edited by Kathrin B. Zimmer, 121–34. Tübinger archäologische Forschungen Bd. 18. Rahden, Westf. Leidorf.
Utili, Federico, and Ph. Dolmazon. 2002. “Bemerkungen Zu Drei Attischen Trinkgefäßen Im Reiss-Museum in Mannheim.” In Bentz 2002, 37–41.
van de Put, Use. 1996. “The Use of Computer Tomography for the Study of Greek Ceramics.” In The J. L. Theodor Collection of Attic Black-Figure Vases, edited by Pieter Heesen, 203–5. Allard Pierson series 10. Amsterdam.
van Horik, René, Simon Saldner, Valentijn Gilissen, and Costas Papadopoulos. 2025. “Making 3D Scholarly Editions Reusable: A Step-by-Step Guide for Depositing FAIR 3DSEs.”.
Visual Computing Laboratory. 2020. “3DHOP, 3D Heritage Online Presenter.” Accessed June 06, 2025. https://github.com/cnr-isti-vclab/3DHOP.
Winkler-Horaček, Lorenz. 2020. “Akademische Abguss-Sammlungen Zwischen Tradition Und Zukunft. Die Abguss-Sammlung Antiker Plastik Der Freien Universität Berlin.” In Casting. Ein Analoger Weg Ins Zeitalter Der Digitalisierung? Ein Symposium Zur Gipsformerei Der Staatlichen Museen Zu Berlin, edited by Miguel Helfrich, Christina Haak, Charlotte Schreiter, Nele Schröder-Griebel, Elsa van Wezel, Moritz Dapper, Nikolaus Bernau et al., 254–66: arthistoricum.net.
Zanker, Paul, Stefan Schmidt, and Matthias Steinhart, eds. 2014. Sammeln Und Erforschen: Griechische Vasen in Neuzeitlichen Sammlungen. Beihefte zum Corpus vasorum antiquorum : Deutschland Band VI. München: Beck. Accessed October 30, 2023. https://publikationen.badw.de/de/041851508.