Editorial

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In the Mirror of the Wonder of Luca Giordano. Image of an exhibition designed by Perla Gianni in 2008 at Palazzo Medici Riccardi, Florence, Italy. Its design was oriented to the Users Experience (UX), aiming at placing the visitor "inside" the work of art. The support of digital technologies was conceived for amplifying the possibilities of contact between the viewer and the artwork, rather than replacing it.
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Published: Sep 28, 2018
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Editorial

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Bernard D. Frischer
Indiana University, USA
Gabriele Guidi
Politecnico di Milano
http://orcid.org/0000-0002-8857-0096

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How to Cite
Frischer, B. D., & Guidi, G. (2018). Editorial. Studies in Digital Heritage, 2(1), I. Retrieved from https://scholarworks.iu.edu/journals/index.php/sdh/article/view/25678
Author Biography

Gabriele Guidi, Politecnico di Milano

Gabriele Guidi is an Associate Professor with tenure in Computer Vision and Reverse Engineering at Politecnico di Milano. He joined the University of Florence as a Researcher in Electronics in 1995, and moved to Politecnico di Milano in 2005, where he is now at the Department of Mechanical Engineering. In the 1990s, he was actively engaged in research on ultrasound equipment for biomedical imaging. In 2000 he began to investigate optical 3D imaging with active and passive approaches, developing research on 3D sensor fusion, sensor characterization and calibration, 3D digitization for Cultural Heritage, Design and Engineering. His research activity has always been focused on technological developments aimed at specific applications. As a result, during his career, he has developed a highly interdisciplinary methodological approach that has led him to collaborate with physicians, librarians, archaeologists, architects, and designers.

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