Review Essay: Indigenous Motivations: Recent Acquisitions from the National Museum of the American Indian
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Dasha Chapman, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Mina Ellison, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Anne Kwiatt, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Tate LeFevre, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Claire Nicholas, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Sandra Rozental, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Susanne Sabolcsi-Boros, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.April Strickland, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Sabra Thorner, New York University
This review was written collaboratively during the graduate seminar Anthropology in and of Museums, taught at NYU’s Program in Museum Studies. The project was directed and edited by Professor Haidy Geismar.Authors who publish with Museum Anthropology Review (MAR) agree to the following terms: 1. As outlined in the journal’s Consent to Publish Agreement, authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal. 3. Authors are permitted and encouraged to post their work online (e.g., in their home institutional repositories or on their personal website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. 4. While MAR adopts the above strategies in line with best practices common to the open access journal community, it urges authors to promote use of this journal (in lieu of subsequent duplicate publication of unaltered papers) and to acknowledge the unpaid investments made during the publication process by peer-reviewers, editors, copy editors, programmers, layout editors and others involved in supporting the work of the journal. More information may be found in the journal’s Consent to Publish Agreement which must be signed and delivered to the editorial office prior to publication.