The Seventh Forum on China-US Folklore and Intangible Cultural Heritage Collaborative Work in Museum Folklore and Heritage Studies
Main Article Content
Abstract
A project report chronicles the Seventh Forum on China US Folklore and Intangible Cultural Heritage held on May 19–22, 2019 in Being, China. Organized within a binational cooperation project of the American Folklore Society and the China Folklore Society, the theme of the forum was Collaborative Work in Museum Folklore and Heritage Studies. In the report, some contexts for the gathering are noted, participants and organizations represented are discussed, and some general themes emerging from the conference are identified.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with Museum Anthropology Review (MAR) agree to the following terms: 1. As outlined in the journal’s Consent to Publish Agreement, authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal. 3. Authors are permitted and encouraged to post their work online (e.g., in their home institutional repositories or on their personal website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. 4. While MAR adopts the above strategies in line with best practices common to the open access journal community, it urges authors to promote use of this journal (in lieu of subsequent duplicate publication of unaltered papers) and to acknowledge the unpaid investments made during the publication process by peer-reviewers, editors, copy editors, programmers, layout editors and others involved in supporting the work of the journal. More information may be found in the journal’s Consent to Publish Agreement which must be signed and delivered to the editorial office prior to publication.
References
Dewhurst, C. Kurt, and Timothy Lloyd. 2019. “The American Folklore Society-China Folklore Society Folklore and Intangible Cultural Heritage Project, 2013-2016.” Museum Anthropology Review 13 (1): 59-68. https://doi.org/10.14434/mar.v13i1.25405
Dewhurst, C. Kurt, and Marsha MacDowell. 2015. “Strategies for Creating and Sustaining Museum-Based International Collaborative Partnerships.” Practicing Anthropology 37 (3): 54–55.
Jackson, Jason Baird. 2019. “At Home and Abroad: Reflections on Collaborative Museum Ethnography at the Mathers Museum of World Cultures.” Museum Anthropology 42 (2): 62–70. https://doi.org/10.1111/muan.12210.
Jackson, Jason Baird, Jessica Anderson Turner, Shiyang Gong, Lijun Zhang, and Sarah Junk Hatcher, eds. 2019. The Seventh Forum on China-US Folklore and Intangible Cultural Heritage: Collaborative Work in Museum Folklore and Heritage Studies. Beijing: American Folklore Society. https://www.afsnet.org/page/FICH
Lloyd, Tim. 2017 “The Inside Story of the AFS China-US Project.” https://www.afsnet.org/news/349609/The-Inside-Story-of-the-AFS-China-US-Project.htm, accessed June 12, 2019.
MacDowell, Marsha, and Lijun Zhang, eds. 2016. 中国西南拼布 | Quilts of Southwest China. Nanning: Guangxi Museum of Nationalities. [Distributed in the United States by Indiana University Press.]
Zhang, Lijun. 2016. “Performing Locality and Identity: Rickshaw Driver, Narratives, and Tourism.” Cambridge Journal of China Studies 11 (1): 88-104.
Zhang, Lijun. 2019. “A Brief Guide to Shichahai.” Video Presentation Prepared for The Seventh Forum on China-US Folklore and Intangible Cultural Heritage: Collaborative Work in Museum Folklore and Heritage Studies, Beijing, China.