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    <front>
        <journal-meta>
            <journal-id>JFRR</journal-id>
            <journal-title-group>
                <journal-title>Journal of Folklore Research Reviews</journal-title>
            </journal-title-group>
            <issn pub-type="epub">2832-8132</issn>
            <publisher>
                <publisher-name>IU ScholarWorks</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">41127</article-id>
            <title-group>
                <article-title>Thed Bostic - Review of Christa C. Jones, editor, Djeha, the North African Trickster</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Thed Bostic</surname>
                        <given-names/>
                    </name>
                    <aff>Fayetteville State University</aff>
                    <address>
                        <email>tbostic2@broncos.uncfsu.edu</email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2022">
                <year>2022</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Christa C. Jones, editor</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Djeha, the North African Trickster</source>
                <series/>
                <year iso-8601-date="2023">2023</year>
                <publisher-loc>Jackson</publisher-loc>
                <publisher-name>University Press of Mississippi</publisher-name>
                <page-range>196 pages</page-range>
                <price/>
                <isbn>1496847059</isbn>
            </product>
            <permissions>
                <copyright-statement>Reviewers retain copyright and grant JFRR the right of first publication with the review simultaneously licensed under a Creative Commons Attribution License that allows others to share or redistribute reviews with an acknowledgment of the review's original authorship and initial publication JFRR.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <fig id="f41127" orientation="portrait" position="anchor">
            <alt-text>Mountains with an ornate design</alt-text>
            <graphic xlink:href="81ulQK-UMML._SY522_ (1).jpg"/>
        </fig>
        <p> </p>
        <p>Tales of tricksters in fiction teach us many things about the world. They show us how to
            be resourceful, how to adapt, and many other important lessons. There are many
            tricksters in the world of fiction, but not many of them are quite as complex as Djeha.
            In <italic>Djeha, the North African Trickster</italic>, readers are introduced to a
            figure who embodies wit, humor, and an ability to outsmart those around him by using
            unorthodox methods. This collection of sixty tales captures the essence of Djeha and
            offers insights into the beliefs of North African culture.</p>
        <p>Djeha’s stories are rooted in the oral tradition of the Maghreb region, a part of North
            Africa that includes Morocco, Algeria, Tunisia, and Libya. Across these tales, Djeha
            outwits the wealthy, the powerful, and even tricks his own family members. The beauty of
            the stories lies in their humor and in how they reflect the everyday lives, challenges,
            and values of North African society.</p>
        <p>Two of the stories that stand out most to me are “Djeha and the Nail in the House” and
            the tale of “Djeha and the Treasure.” In the first, Djeha sells his house but retains
            ownership of a single nail in the wall. He continually visits the house to check on the
            nail, which eventually aggravates the new owner enough to drive him out of the house,
            returning ownership of the house to Djeha and his mother. This story puts Djeha’s
            cleverness and persistence on full display, both being qualities that tricksters are
            famous for. The second story, about Djeha’s treasure, is my favorite. In this tale,
            Djeha sells an ox to an owl. In return, the owl reveals the location of treasure about
            which Djeha informs his mother. To keep the treasure to herself and ensure that no one
            believes him, his mother starts doing ridiculous things, such as insisting that cows lay
            eggs. By the time Djeha tells people about the treasure, no one believes him due to his
            mother’s earlier antics. This cleverness in the way she hid the truth shows the dynamics
            between Djeha and his mother, showing that trickery runs in the family.</p>
        <p>While these stories are primarily meant to entertain, they also offer a glimpse into
            North African culture. Through Djeha’s cunning, we see a society that values wit,
            resourcefulness, and, sometimes, a healthy skepticism of authority. </p>
        <p>In many ways, Djeha’s tales serve as social commentary, showing how those without power,
            like Djeha, can still find ways to triumph over those who are wealthier or more
            powerful. This reflects the broader cultural value of humility and the idea that wisdom
            and cleverness are often more valuable than status and wealth. These stories also mirror
            the value placed on community and family, as many of Djeha’s interactions revolve around
            his relationships with those around him, like his mother.</p>
        <p>The humor in <italic>Djeha, the North African Trickster</italic> is what makes these
            tales stand out. Djeha’s tricks are often simple yet profound, showing that intelligence
            and creativity are accessible to everyone, not just the elite. His actions often walk
            the line between right and wrong, but the ultimate message is clear: adaptability and
            wit are key tools for navigating life’s challenges.</p>
        <p>What I found particularly compelling about these stories is how they manage to teach life
            lessons without being overly moralistic. Djeha’s adventures feel more like reflections
            of human nature. They remind us that life is not black and white—sometimes rules need to
            be bent to achieve justice or survive. </p>
        <p>In <italic>Djeha, the North African Trickster</italic>, the stories transcend simple
            humor to offer a glimpse into the complexities of human interaction, survival, and
            cleverness. Djeha’s tricks often lead to laughter, but they also provoke thought about
            how we navigate authority, family, and society. The collection serves as both a
            delightful read and a subtle lesson in the power of wit, showing that sometimes, a
            well-placed joke or trick can teach us a lot about the world and how we interact with
            it.</p>
        <p>For those interested in folklore, North African culture, or simply a good laugh, this
            book is a collision of wit and wisdom. Djeha may be a trickster, but through his antics,
            we learn much about the complexity and richness of the human experience.</p>
        <p>--------</p>
        <p>[Review length: 708 words • Review posted on February 12, 2025]</p>
    </body>
</article>
