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    <front>
        <journal-meta>
            <journal-id>JFRR</journal-id>
            <journal-title-group>
                <journal-title>Journal of Folklore Research Reviews</journal-title>
            </journal-title-group>
            <issn pub-type="epub">2832-8132</issn>
            <publisher>
                <publisher-name>IU ScholarWorks</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">39235</article-id>
            <title-group>
                <article-title>Giovanna Serenelli - Review of Thomas A. Green, Native American Folktales</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Giovanna Serenelli</surname>
                        <given-names/>
                    </name>
                    <aff>Perugia University</aff>
                    <address>
                        <email></email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2021">
                <year>2011</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Thomas A. Green</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Native American Folktales
                </source>
                <series></series>
                <year iso-8601-date="2021">2008</year>
                <publisher-loc></publisher-loc>
                <publisher-name>Greenwood Publishing Group</publisher-name>
                <page-range>176 pages</page-range>
                <price></price>
                <isbn>978-0-313-36301-6 (hard cover)</isbn>
            </product>
            <permissions>
                <copyright-statement>Reviewers retain copyright and grant JFRR the right of first publication with the review simultaneously licensed under a Creative Commons Attribution License that allows others to share or redistribute reviews with an acknowledgment of the review's original authorship and initial publication JFRR.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p><italic>Native American Folktales</italic> is the fourteenth volume in the Stories from
            the American Mosaic series, which is a collection of folktales from different American
            ethnic groups. The book, edited by Thomas A. Green, associate professor of Anthropology
            at Texas A&amp;M; University, offers a panorama of tales from various Native American
            tribes. The volume is organized into four sections: Origins; Heroes, Heroines, Villains,
            and Fools; Society and Conflict; and The Supernatural.</p>
        <p>The first section contains tales about the origin of the world and the creation of man
            and some animals. The myths differ depending on the tribe. For example, in the Hopi
            tribe, two Stone Women (the Eastern Stone Woman and the Western Stone Woman) appear in
            the process of creation. The Eastern Stone Woman creates a small bird from clay, gives
            it life with a song, and sends it into the world to search for other living things (this
            calls to mind the dove sent out by Noah to explore the Earth after the Great Flood).
            When the little bird comes back it recounts the absence of living beings. The two
            deities then agree to create many other animals. In the final stage of creation, the
            Eastern Stone Woman creates the first woman and then the first man. The world and its
            people, created strictly in couples (a male and a female), are good and peaceful.
            Unfortunately, unknown to the first little bird, there is a third goddess, Spider Woman,
            who also wants to participate in the creation. In her haste, the goddess makes a mistake
            in the creation of human couples. She forgets to create a woman and therefore fills the
            world with dissatisfied and quarrelsome “Spaniards.” The result is turmoil. Good and
            evil are now present in the world and will remain forever.</p>
        <p>For other tribes, the mythology of creation is strictly related to the raven, which
            probably obtained its mythical state (as in many other cultures) as mediator between
            life and death. Man, born from a pod of a large pea-vine, needs a friend to teach him
            how to live harmoniously on the Earth. This friend is Raven. The wise Raven (sometimes
            tricky) trains man, step by step, and also gives him precise instructions on what today
            could easily be defined as sustainable consumption. Various folktales tell about the
            origin of hunting and farming, while others tell how the primordial world is covered
            with water and recount how Water Spider gives fire to man. What is certain is that all
            plants, animals, and human beings can speak and understand each other.</p>
        <p>In section two, the world is populated by heroic figures struggling to defend the human
            race against gigantic monsters. The Destroyer-of-Dangerous-Things is the son of the Sun
            and frees the world (Jicarilla Apache) from a great frog, a dangerous elk, two great
            eagles, two giant bears, and the Rock-that-runs. Blood-Clot-Boy (Blackfoot), born from a
            clot of blood, fights against injustice by protecting the weak and vulnerable from abuse
            by monster bullies who steal food, particularly fat and dried meat, that are essential
            for the survival of the nomadic tribes. Blood-Clot-Boy is the Smoking-Star (Mars for the
            Blackfoot tribe, Venus for Mayan culture as indicated in Aztec Codex Telleriano
            Remensis). Other mythical figures include the raven (seen as wise by the Inuit people)
            and Manabozho, also known as Big Rabbit or Great-Hare. The trickster Manabozho, who
            loves to hunt ducks, can change shape, which is useful for capturing his prey, although
            he is not always successful. Manabozho is the son of a heavenly wind and a woman of
            unknown origin. Despite his temper, he can bear the tricks of Buzzard (Menominee
            Indians). Not all these deities are perfect or good; some have the same defects as
            humans.</p>
        <p>Some tales in section three tell of the punishment of liars, misers, egoists, and
            betrayers. A social structure based on cooperation, loyalty, generosity, honesty,
            respect for the natural world and other living things is depicted as good. Theft is only
            justifiable when it is necessary for survival (Navahos). Sacred ritual objects, such as
            the Medicine Pipe, can be instruments of preservation in time of war, famine, and
            sickness. According to Teton folktales, the disregarded oath sealed by the sacred pipe
            causes the death of General Custer.</p>
        <p>The tales in section four describe the supernatural world and its mythical figures
            present in the daily life of every tribe. Witches and sorcerers are common in the tales,
            and their actions are either good or bad depending on the tribe. Supernatural beings are
            not always benign. Some regulate atmospheric phenomena, while others lend their powers
            to man (Micmac). Sometimes they lead one to commit a crime (Huron), cause disease or
            death (Cherokee), or guide the social life and code of behavior that lead to a tranquil
            afterlife (Hopi).</p>
        <p>This book has several good qualities. It is well-organized and concise, and it gives a
            comprehensive overview of the myths and traditional bases of social organization of
            American Indians. The folktales presented cover a time-span from the creation to the
            first contacts/tension between the Native American people and Europeans or members of
            the United States Army. Each folktale is preceded by a brief introduction that provides
            the context for the meaning and origin of the story in the variegated world of the
            various indigenous tribes. A bibliography is provided for each story. Some terms,
            thought by the editor to be offensive to contemporary readers, have been changed.
            However, the offensive words do have a precise meaning that should really be included
            within a defined historical and/or social context. The book is suitable for general
            readers and students.</p>
        
        <p>--------</p>
        <p>[Review length: 931 words • Review posted on November 9, 2011]</p>
        
        
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