<?xml version="1.0" encoding="UTF-8" standalone="yes"?>
<!DOCTYPE article  PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Archiving and Interchange DTD v1.1 20151215//EN" "https://jats.nlm.nih.gov/archiving/1.1/JATS-archivearticle1.dtd">
<article dtd-version="1.1" article-type="book-review"
    xmlns:xlink="http://www.w3.org/1999/xlink">
    <front>
        <journal-meta>
            <journal-id>JFRR</journal-id>
            <journal-title-group>
                <journal-title>Journal of Folklore Research Reviews</journal-title>
            </journal-title-group>
            <issn pub-type="epub">2832-8132</issn>
            <publisher>
                <publisher-name>IU ScholarWorks</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">38965</article-id>
            <title-group>
                <article-title>Robert Derr - Review of Katrina Hazzard-Donald, Mojo Workin’: The Old African American Hoodoo System</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Robert Derr</surname>
                        <given-names/>
                    </name>
                    <aff>Danville Community College</aff>
                    <address>
                        <email></email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2021">
                <year>2013</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Katrina Hazzard-Donald</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Mojo Workin’: The Old African American Hoodoo System
                </source>
                <series></series>
                <year iso-8601-date="2021">2012</year>
                <publisher-loc>Urbana</publisher-loc>
                <publisher-name>University of Illinois Press</publisher-name>
                <page-range>256 pages</page-range>
                <price></price>
                <isbn>978-0-252-03729-0 (hard cover), 978-0-252-07876-7 (soft cover)</isbn>
            </product>
            <permissions>
                <copyright-statement>Reviewers retain copyright and grant JFRR the right of first publication with the review simultaneously licensed under a Creative Commons Attribution License that allows others to share or redistribute reviews with an acknowledgment of the review's original authorship and initial publication JFRR.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <p>Hoodoo, not to be confused with Voodoo, is a practice that elicits a great deal of
            passion from its practitioners and intrigue and fear from outsiders looking in on the
            practice, but it has often been very difficult to define because its practices are often
            misrepresented and negatively stereotyped by society. Hoodoo’s origins can be traced
            back to West Africa before the time of the slave trade. While there is a strong debate
            about whether or not Hoodoo can and should be labeled as a religion, proponents on both
            sides of the debate can agree on the fact that many elements and rituals of Hoodoo
            appear in a number of contemporary, mainstream religions. Hoodoo has always been a
            steadfast pillar in the lives of many African Americans living in the United States;
            however, as Katrina Hazzard-Donald notes, as society continues to evolve and progress,
            Hoodoo, “the indigenous, herbal, healing, and supernatural-controlling spiritual folk
            tradition,” is being viewed less with reverence and belief and more as a superstition or
            macabre fascination (4). This text centers around the tenet that Hoodoo is somewhat
            fluid in the sense that it is a practice that can adapt and change to meet the needs of
            the individuals who practice these religions in a world of ever-changing sociological
            and economic environments.</p>
        <p>While Hazzard-Donald’s purpose is straightforward, “to present a new look at Hoodoo
            development and a reinterpretative glimpse at contemporary as well as preexisting Hoodoo
            practice,” her task is by no means a simple one (8). Society’s misunderstandings and
            apprehension towards the subject have made Hoodoo and similar subjects almost taboo
            topics of discussion. However, the author has done an excellent job of creating a primer
            of sorts to help both scholars and students understand and appreciate the evolution of
            African American Hoodoo and the historical and contemporary influences this religion has
            had on individuals and society. Her work does not simply rehash the topics previously
            covered by scholars before her; she is able to push the boundaries and create a text
            that offers an enlightening and groundbreaking sociological and anthropological
            examination of the evolution of African American Hoodoo.</p>
        <p>The text is broken down into seven main chapters and includes a prescript and postscript,
            both written by the author. The text also includes a glossary, a notes section, a
            bibliography, and an index. The author’s prescript sets the tone for the rest of her
            work by laying out her purpose and her beliefs, identifying the scope and limitations of
            her research, and identifying the author’s assumptions in regards to the topic of the
            text. The prescript also presents a definition, explanation, and discussion of key
            terms, such as Hoodoo, black belt Hoodoo, and marketeered Hoodoo, which are essential to
            understanding the discussions presented in later chapters. While the prescript contains
            a great deal of valuable information, at times it lacks continuity, and it becomes
            slightly difficult to understand how one topic connects to the next topic.</p>
        <p>Each of the seven main chapters covers an important period or aspect on the continuum of
            the evolution of African American Hoodoo. The chronology starts with a detailed
            description of traditional religion in West Africa in the early 1800s and ends with an
            examination of black belt Hoodoo in post-World War II America. The seven main chapters
            present thorough, objective commentary on the sociological, anthropological, and
            religious factors that helped to shape and manipulate Hoodoo and its practitioners in
            America. The inclusion of a glossary makes this text even easier to use because the
            reader has easy access to unfamiliar terms.</p>
        <p>Hazzard-Donald set out to demonstrate the need to include African American Hoodoo in the
            study of African American religion in the New World. The research she presents in her
            work clearly validates the belief that there is a strong connection between African
            American Hoodoo and African American religion; therefore, in order to truly study the
            origin and development of African American religions in the New World, scholars need to
            include Hoodoo in their studies. This text presents an engaging and insightful
            examination of the evolution of African American Hoodoo. The author’s shrewd analysis of
            the current state of research on African American Hoodoo and her thought-provoking,
            innovative new insights open up areas of this field that are ripe for further scholarly
            exploration. This text successfully dispels the misrepresentations and negative
            stereotypes Hoodoo has endured throughout history, and further establishes the
            importance of African American Hoodoo as a field of study that is rich in cultural
            significance. The author provides a great deal of research and analysis that is sure to
            aid scholars, students, and enthusiasts.</p>
        
        <p>--------</p>
        <p>[Review length: 767 words • Review posted on October 3, 2013]</p>
        
        
    </body>
</article>