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    <front>
        <journal-meta>
            <journal-id>JFRR</journal-id>
            <journal-title-group>
                <journal-title>Journal of Folklore Research Reviews</journal-title>
            </journal-title-group>
            <issn pub-type="epub">2832-8132</issn>
            <publisher>
                <publisher-name>IU ScholarWorks</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="publisher-id">38112</article-id>
            <title-group>
                <article-title>Paul Cowdell - Review of Erik Mueggler, Songs for Dead Parents: Corpse, Text, and World in Southwest China</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Paul Cowdell</surname>
                        <given-names/>
                    </name>
                    <aff></aff>
                    <address>
                        <email></email>
                    </address>
                </contrib>
            </contrib-group>
            <pub-date publication-format="epub" date-type="pub" iso-8601-date="2021">
                <year>2018</year>
            </pub-date>
            <product product-type="book">
                <person-group>
                    <name>
                        <surname>Erik Mueggler</surname>
                        <given-names/>
                    </name>
                </person-group>
                <source>Songs for Dead Parents: Corpse, Text, and World in Southwest China
                </source>
                <series></series>
                <year iso-8601-date="2021">2017</year>
                <publisher-loc>Chicago</publisher-loc>
                <publisher-name>University of Chicago Press</publisher-name>
                <page-range>336 pages</page-range>
                <price></price>
                <isbn>9780226481005 (soft cover)</isbn>
            </product>
            <permissions>
                <copyright-statement>Reviewers retain copyright and grant JFRR the right of first publication with the review simultaneously licensed under a Creative Commons Attribution License that allows others to share or redistribute reviews with an acknowledgment of the review's original authorship and initial publication JFRR.</copyright-statement>
            </permissions>
        </article-meta>
    </front>
    <body>
        <fig id="f0" orientation="portrait" position="anchor">
            <alt-text>A group of people carrying coffin.</alt-text>
            <graphic xlink:href="Songs for Dead Parents.jpg"/>
        </fig>
        <p>Since 1993 anthropologist Erik Mueggler’s intensive fieldwork in southwest China has
            sensitively investigated funerary belief, custom and practice, and the place of the dead
            within a mountain community. The period of his fieldwork has seen some drastic shifts in
            Chinese society. In his earlier work he examined carefully the impact of the suppression
            of traditional funerary practices during the Cultural Revolution, under conditions where
            those who had previously observed such practices were also having to deal with the
            aftermath of the devastating famine following the Great Leap Forward that left an
            increased legacy of uneasy dead spirits to be accommodated. In the last period, the
            further opening of China to market economies and an accelerated urbanization of the
            region has seen still further changes, with a relaxation of the prohibitions on
            traditional mourning. This background to Mueggler’s latest fascinating study has
            resonances well beyond its specific local context.</p>
      
        <p>Working in a Yunnan Province community he has been studying for a long time, Mueggler
            focuses here on changing material observations of death. Work for the dead, he argues
            against much anthropological thinking, “does not restore a social order fractured by
            death . . . [but] creates a formal and objectified image of the social world in the dead
            body” (7). This, as he notes, creates and answers problems about the world, spirits, and
            being alive or dead, and he has some constructive reflections on how this relates to
            ontology as it has been dealt with in recent anthropology.</p>
      
        <p>Mueggler takes a usefully long historical view of these changing traditions, which allows
            him to note the tensions internalized in such transitions (and date some earlier shifts)
            without resorting to oversimplified correlations. The transitions are comprehensible
            only through an understanding of the socioeconomic alterations brought about by contact
            between Han migrants and Lòlop’ò residents of the mountain region. This is carefully
            negotiated: he shows, for example, the differences and exchanges between the two
            funerary traditions, with the shift from cremation to burial generating new places for
            the dead, and also their reflection at a linguistic level (there has been some adoption
            of Chinese as a medium for mortuary inscriptions). At the same time, Mueggler also
            brings out recent anxieties among Lòlop’ò diaspora communities, that they might be
            honored after death with practices outside their own experience and expectation of
            tradition. He reflects, too, on the relative perceptions and interpretations of
            “backwardness” and “modernity” contained within these viewpoints. This placing of such
            considerations deserves the attention of anyone attempting to get to grips with emic
            views of funerary belief.</p>
     
        <p>The book offers an intriguing and disturbing coda to Mueggler’s excellent recent work on
            the interruption and suppression of funerary traditions. Where ritual traditions had
            been deliberately disrupted (Mueggler offers the example of construction of a clinic on
            one of the most prominent sites of observation of the ritual Tenth Month Sacrifice),
            those who performed the traditions were also marginalized and unable to perform, often
            at great personal and psychological cost: when resumption of these ritual traditions
            recently became possible again, the sociocultural context had changed dramatically and
            it was also no longer always possible to find people still capable of performing the
            full chants. The material is rich here, as Mueggler is right inside a changing and
            developing situation. He is also rather moving regarding how these developments impact
            those attempting somehow to sustain older traditions, as well as being generally acute
            on the ethical responsibilities of and implications for the fieldworker. If at times the
            reader could wish that Mueggler went further in making explicit his comprehension and
            analysis of these pressing emergent socioeconomic questions, which are clearly of much
            wider import, it is extremely welcome to find a determination to see politics as a lived
            expression with effective implications for every aspect of social and cultural life,
            including death. As Mueggler notes, “Political relations with the dead found and sustain
            politics among the living: there is no politics that is not also a politics for the
            dead” (192).</p>
      
        <p>Mueggler places his analysis within a broader history of anthropological theory,
            particularly on questions of kinship. The complexity of this close reading of kinship
            enables an acute reading of the performance of specific songs within the funerary
            tradition, which should encourage folklorists, for whom this is not necessarily familiar
            territory, to consider it more closely. Mueggler argues that the
                <italic>classificatory</italic> kinship system--which we might be inclined to read
            as an external analytical projection--shapes <italic>real</italic> kinship relations in
            the work for the dead. He points to the way later generational actors fulfil the roles
            assigned to specific kinship positions which they do not themselves occupy, citing
            Viveiros de Castro: “Classificatory kinship relations cannot be thought of as
            projections of ‘real’ ones; rather, the latter are . . . particularized, reductions of
            the former” (98). This is stimulating stuff that urges a constant return to theoretical
            foundations and their relationship with ethnographic realities.</p>
       
        <p>As one might expect from a serious fieldworker engaged with one community over a long
            period, Mueggler sensitively addresses the relationship between his own work and person
            and the lives of his research subjects throughout. He places the specialist performer
            within the activity of ethnographic research, and draws out a comparison between
            anthropological work and ritual. The epilogue, in which he attempts to place his own
            brother’s untimely death within the constructs of Lòlop’ò mortuary belief, is moving in
            its recognition of the differences of belief embodied by fieldworker and informants, and
            in its striving to understand how that works in practical interaction as well as in
            academic study. Assimilating the implications of our informants’ belief structures for
            our own experiences is a painful and humbling exercise, but Mueggler shows well how it
            also deepens our appreciation of other lives. This satisfying book has much to tell us
            both about its subjects and about how we pursue research.</p>
        
        <p>--------</p>
        <p>[Review length: 974 words • Review posted on September 13, 2018]</p>
        
        
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