Islam and the Orientalist Vision in Padmaavat
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Abstract
This essay argues that Sanjay Leela Bhansali’s 2018 Bollywood historical film Padmaavat is part of a wider media-informational atmospherics of contemporary Hindu pride and Islamophobia, drawing on advertised energies of disaffection and ethnological stereotyping around the figure of the Muslim. In the process, it constructs a “double shift” Orientalist prism of race perception to view a splendid “Aryan” Hindu past as well as a dark interval of Islamic rule in India marked by a Semitic, Turko-Arabic pathology. The film is part of an overall Hindu nationalist project of constructing a moral memory (contra history) in the era of the digital image that can not only reinvent the past, but also re-texture and re-canvas it, making purported pictures of a glorious Hindu bygone appearing as
not just nove, but also tactile and sensuous.
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