On Mediated Qualitative Scholarship and Marginalized Voices in Music Education
Loading...
Can’t use the file because of accessibility barriers? Contact us with the title of the item, permanent link, and specifics of your accommodation need.
Date
2020
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Springer
Permanent Link
Abstract
This chapter addresses two interrelated questions concerning some of the characteristic features that should exemplify mediated qualitative scholarship in music education and ways in which mediated qualitative scholarship can enable marginalized voices in music education to be heard. Mediated scholarship is broadly defined as scholarship undertaken and/or disseminated through the arts and contemporary media. The term "marginalized voices" refers to those subjects, perspectives, media, approaches, objectives, and modes of dissemination that are not valued, studied, or accounted for in music education research. Drawing on two examples of work utilizing film and video and published as chapters in this book, I examine the possibilities and challenges for mediated qualitative scholarship in music education that highlights the voices of those not otherwise heard.
Description
Accepted manuscript, post print version
Keywords
Citation
On mediated qualitative scholarship and marginalized voices in music education. In Narratives and Reflections in Music Education: Listening to Voices Seldom Heard edited by Tawnya D. Smith and Karin S. Hendricks (Cham, Switzerland: Springer, 2020), 193-206.
Journal
Link(s) to data and video for this item
Relation
Rights
Type
Article