The Ascent and Arpeggiation in “Die Stadt,” “Der Doppelgaenger,” and “Der Atlas” by Franz Schubert

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dc.contributor.authorSchwarz, David
dc.date.accessioned2009-09-23T14:57:20Z
dc.date.available2009-09-23T14:57:20Z
dc.date.issued1986
dc.identifier.citationSchwarz, David. "The Ascent and Arpeggiation in “Die Stadt,” “Der Doppelgaenger,” and “Der Atlas” by Franz Schubert." Indiana Theory Review 7, no. 1 (1986): 38-50.
dc.identifier.urihttps://hdl.handle.net/2022/3712
dc.language.isoen_US
dc.publisherIndiana University Graduate Theory Association
dc.relation.ispartofseriesVolume 7, no. 1
dc.rightsThis work may be protected by copyright unless otherwise stated.
dc.titleThe Ascent and Arpeggiation in “Die Stadt,” “Der Doppelgaenger,” and “Der Atlas” by Franz Schubert
dc.typeArticle

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Volume 007, 1986: Indiana Theory Review
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