Singing Blackness across Borders. Capeyuye and Mascogo Identity in Northern Mexico [abstract only]
Loading...
Can’t use the file because of accessibility barriers? Contact us with the title of the item, permanent link, and specifics of your accommodation need.
Date
2011-10
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Latin American Music Center
Permanent Link
Abstract
This paper takes capeyuye [spiritual singing] as a point of departure to study
the Mascogos’ continuous struggle to define themselves as binational people, as Afro-
Seminoles living in Coahuila, Mexico. By reflecting on the intersections of race,
nationality, and the body within the specificities of Mascogo border culture and
history, the paper problematizes Anne Anlin Cheng’s notion of “racial melancholia,”
suggesting that self rejection might be a more strategic move than she acknowledges
to be. In the end, the author coins the term “dialectical soundings” and propose that
the singing of spirituals among the Mascogos in fact renders Blackness visible in the
context of the Mexican border essentialist racial discourses.
Description
Keywords
Cultural, Conferencia, Cultural Counterpoints, Interactions, Latin America, Latin American Music Center, Music, Musical, Música, Música Latinoamericana, United States, Fiftieth Anniversary, 50th anniversary, Capeyuye, Mascogo, Northern Mexico, Mexico
Citation
DOI
Link(s) to data and video for this item
Relation
Rights
Type
Article