Folklore and Sociolinguistics

dc.contributor.authorMcDowell, John H.
dc.date.accessioned2020-01-22T19:31:20Z
dc.date.available2020-01-22T19:31:20Z
dc.date.issued2018-01-22
dc.description.abstractFolklore and sociolinguistics exist in a symbiotic relationship; more than that, at points—in the ethnography of communication and in ethnopoetics, for example—they overlap and become indistinguishable. As part of a reaction to the formal rigor and social detachment of Chomsky’s theoretical linguistics, sociolinguistics emerges in the mid-twentieth century to assess the role of language in social life. Folklorists join the cause and bring to it a commitment to in-depth ethnography and a longstanding engagement with artistic communication. In this essay, I trace key phases in the development of this interdisciplinary movement, revolutionary in its reorientation of language study to the messy but fascinating realm of speech usage. I offer the concept of performative efficacy, the notion that expressive culture performances have the capacity to shape attitude and action and thereby transform perceived realities, as a means of capturing the continuing promise of a sociolinguistically informed folkloristics.
dc.identifier.citationMcDowell, John H. "Folklore and Sociolinguistics." Humanities, vol. 7, no. 1, 2018-01-22, https://doi.org/10.3390/h7010009.
dc.identifier.doihttps://doi.org/10.3390/h7010009
dc.identifier.urihttps://hdl.handle.net/2022/25091
dc.language.isoen
dc.publisherHumanities
dc.relation.journalHumanities
dc.rights.licenseCC-BY
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectVerbal art and speech play; ethnopoetics; ethnography of speaking; performance; speech act theory; semiotics; oral-formulaic theory
dc.subjectVerbal art and speech play
dc.subjectethnopoetics
dc.subjectethnography of speaking
dc.subjectperformance
dc.subjectspeech act theory
dc.subjectsemiotics
dc.subjectoral-formulaic theory
dc.titleFolklore and Sociolinguistics
dc.typeArticle

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