Performing early music on the modern clarinet : a new look, with performance editions of five new transcriptions
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Indiana University
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Although there exists many transcriptions of early music for clarinet, they do not hold a major place in most clarinetists’ performance repertoire. Part I of this paper examines select published transcriptions to identify the issues that come with the performance and transcribing process of this music. Part II presents five new transcriptions that aim to address the problems identified in the previous section, alongside background information and performance practice suggestions for each piece.
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Thesis (D. Mus.) – Indiana University, Music, 2022
Keywords
clarinet,early music,baroque music,transcriptions,performance practice,historically informed performance,period performance,Bach,Rameau,Ettlinger,Van Eyck,Der Fluyten Lust-hof,Bonizzi,viola bastarda,Hotteterre,French Baroque,Muffat, clarinet,early music,baroque music,transcriptions,performance practice,historically informed performance,period performance,Bach,Rameau,Ettlinger,Van Eyck,Der Fluyten Lust-hof,Bonizzi,viola bastarda,Hotteterre,French Baroque,Muffat, clarinet,early music,baroque music,transcriptions,performance practice,historically informed performance,period performance,Bach,Rameau,Ettlinger,Van Eyck,Der Fluyten Lust-hof,Bonizzi,viola bastarda,Hotteterre,French Baroque,Muffat, clarinet,early music,baroque music,transcriptions,performance practice,historically informed performance,period performance,Bach,Rameau,Ettlinger,Van Eyck,Der Fluyten Lust-hof,Bonizzi,viola bastarda,Hotteterre,French Baroque,Muffat
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