On the Commerce of Intimacy: Dany Laferriere on How to Make Love to a Negro...and Heading South

dc.contributor.authorMartin, Michael T.
dc.contributor.authorKamara, Yalie
dc.date.accessioned2025-02-20T16:27:49Z
dc.date.available2025-02-20T16:27:49Z
dc.date.issued2017
dc.descriptionThis record is for a(n) offprint of an article published in Black Camera, An International Film Journal in 2017; the version of record is available at https://doi.org/10.2979/blackcamera.9.1.05.
dc.description.abstractThere is palpable tension distinguished by respect and humor in the following conversation which engages with the author/producer bound to and by the mechanics of an art form and its signifying intentions. One reading of this relationship, and suggested in the conversation, is Laferrière’s insistence that his stories are fiction, however much they resonate the actuality of historical activity and gesture something more than the imagination of the writer. Restating what is a complex of ideas and personal investments is to recall the author/producer’s privilege and right to not bear the weight of history.
dc.description.versionoffprint
dc.identifier.citationMartin, Michael T., and Kamara, Yalie. "On the Commerce of Intimacy: Dany Laferriere on How to Make Love to a Negro...and Heading South." Black Camera, An International Film Journal, vol. 9, no. 1, 2017, https://doi.org/10.2979/blackcamera.9.1.05.
dc.identifier.otherBRITE 926
dc.identifier.urihttps://hdl.handle.net/2022/33086
dc.language.isoen
dc.relation.isversionofhttps://doi.org/10.2979/blackcamera.9.1.05
dc.relation.journalBlack Camera, An International Film Journal
dc.rightsThis work may be protected by copyright unless otherwise stated.
dc.titleOn the Commerce of Intimacy: Dany Laferriere on How to Make Love to a Negro...and Heading South

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