Glossary of big band terminology from 1957-1975

Abstract

The following glossary has been constructed by the author to assist new generations of music educators in their instructional endeavors as they pertain to conducting a big band jazz ensemble. The terms included are organized alphabetically to allow for quick reference when used as stated. Each term has been sourced from repertoire of historical relevance and/or frequency of use in both educational and professional settings. Some symbols have been included so that the reader may research the interpretation of each depending on its context or its particular use by certain composers; since many symbols are interpreted differently depending on these variables, it is important to note and teach their differences. A listing of pertinent recordings has been provided so that the reader may reference the usage and interpretation of these terms as they were played by either the original ensemble led by the composer who chose the term or, if such a recording is unavailable, by an ensemble of equally high performance merit. Within the notation created by notable big bands performing during the years 1957-75, terminology from both the Western art music tradition and jargon specific to the performance practices executed in big band jazz is included within both parts and scores. It is the author’s intent to disambiguate the terminology specific to American Big Band Jazz and clarify the contextual usage of more traditional musical terms to assist in the most thorough and authentic teaching of American Big Band Jazz performance practice.