Afro-Mestizo Imaginaries in “Música Tropical”: Gender Differences in the Representation of African Mexican Subjectivities in Musical Expressions

dc.contributor.authorHerrera-Sobek, Mariaen
dc.contributor.authorWinick, Stephen D.en
dc.date.accessioned2016-07-28T14:42:28Zen
dc.date.available2016-07-28T14:42:28Zen
dc.description.abstractSome songs pertaining to the “música tropical” genre, or music exhibiting tropical rhythms from both the Pacific and Atlantic coasts, feature Afro-mestizo protagonists in their lyrics. My study explores the imaginaries constructing the subjectivities of Afro-mestizo men and women and posits that these gender constructions are different between the two sexes. Men tend to be depicted more harshly than women. Both, however, are depicted in a stereotypical and racist manner. My study incorporates feminist and critical race theories as well as postcolonial theories in the analysis and hermeneutics of the representation of Afro-mestizos in the lyrics of these songs.en
dc.identifier.urihttps://hdl.handle.net/2022/20933en
dc.language.isoen_USen
dc.publisherAmerican Folklore Societyen
dc.relation.isversionofClick on the PURL link below in the "External Files" section to play this video.en
dc.relation.urihttp://purl.dlib.indiana.edu/iudl/media/z70890sw5cen
dc.titleAfro-Mestizo Imaginaries in “Música Tropical”: Gender Differences in the Representation of African Mexican Subjectivities in Musical Expressionsen
dc.title.alternativeThe Phillips Barry Lectureen
dc.typePresentationen

Files

Can’t use the file because of accessibility barriers? Contact us with the title of the item, permanent link, and specifics of your accommodation need.