Rogue Performances: A Review of Abigail De Kosnik’s Rogue Archives: Digital Cultural Memory and Media Fandom

dc.contributor.authorWatson, Brian M.
dc.date.accessioned2020-07-09T14:18:09Z
dc.date.available2020-07-09T14:18:09Z
dc.date.issued2020
dc.description.abstractWhen I began reading Abigail De Kosnik’s Rogue Archives: Digital Cultural Memory and Media Fandom (MIT Press, 2016) with a professional eye, I was struck by the number of ways that it connected and resonated with my personal life and practice. Although I work at the Kinsey Institute Library and Special Collection as a graduate archivist and I am receiving the benefits of a traditional archival education, I have also been involved in independent and community archives for a number of years. Particularly, I have been working to preserve the communities and materials of marginalized groups from the generalized decay of the internet. Rogue Archives then, was a self-discovery. It also became an exploration: this book review was originally livetweeted as part of a year-long experiment to engage with authors and their communities while reading their work. As a result, this journal review will conclude with some thoughts on what the experience of a performative livetweet “remix” of an academic work is like for both the reviewer and the reviewed.en
dc.identifier.urihttps://hdl.handle.net/2022/25681
dc.language.isoenen
dc.publisherDigital Humanities Quarterlyen
dc.relation.isversionofhttp://digitalhumanities.org/dhq/vol/14/1/000446/000446.htmlen
dc.rights.urihttps://creativecommons.org/licenses/by-nd/4.0/en
dc.titleRogue Performances: A Review of Abigail De Kosnik’s Rogue Archives: Digital Cultural Memory and Media Fandomen
dc.typeBook reviewen

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