Brazilian Piano Sonatas: A Heated Debate during the Cold War

Capparelli Gerling, Cristina

Brazilian Piano Sonatas: A Heated Debate during the Cold War

dc.altmetrics.display	false
dc.contributor.author	Capparelli Gerling, Cristina
dc.date.accessioned	2014-06-27T16:57:20Z
dc.date.available	2014-06-27T16:57:20Z
dc.date.issued	2014-02-18
dc.description	The following is a recording of a lecture-recital presented by visiting Fulbright Scholar, Brazilian pianist Cristina Capparelli Gerling on Tuesday, February 18th, 2014, at 7:00 pm at the IU Jacobs School of Music’s Ford Hall. This lecture is the first in a series of lecture recitals presented throughout the Spring 2014 semester at IU, where Capparelli discussed key works from the twentieth-century Latin American Piano repertoire, exploring compositional aspects and instrumental demands in several genres, highlighting their distinctive social, historical, and cultural implications and backgrounds. In addition to the sound file of the lecture-recital, we have also included a pdf of the powerpoint slides used by Cappparelli during the lecture, and a bibliography provided by Capparelli.
dc.description.abstract	The “Piano Sonata” lecture demonstrates and discusses both the persistence of neoclassical formal paradigms as well as the diversity of compositional and instrumental approaches utilized in Latin American Piano Sonatas during the twentieth century, such as found in the works of Argentineans José María Castro, Alberto Ginastera, Carlos Guastavino and Roberto G. Morillo; Brazilians Lorenzo Fernândez, Francisco Mignone, Camargo Guarnieri, Claudio Santoro, Edino Krieger, Breno Blauth, Esther Scliar and Marlos Nobre; the Chilean Juan Orrego-Salas; the Mexicans Rodolfo Halffter and Carlos R. Chávez. This lecture introduces a crucial topic of discussion: influences, confluences, dialogues and appropriations of models as practiced by Latin American composers in relation to their American and European counterparts.
dc.description.sponsorship	Universidade Federal do Rio Grande do Sul Center for Latin American and Caribbean Studies Fulbright Latin American Music Center
dc.identifier.uri	https://hdl.handle.net/2022/18453
dc.language.iso	en_US
dc.publisher	Latin American Music Center
dc.subject	Piano, Sonata, Latin America, Brazil, Argentina, José María Castro, Alberto Ginastera, Carlos Guastavino, Roberto G. Morillo, Lorenzo Fernândez, Francisco Mignone, Camargo Guarnieri, Claudio Santoro, Edino Krieger, Breno Blauth, Esther Scliar, Marlos Nobre, Chile, Juan Orrego-Salas, Mexico, Rodolfo Halffter, Carlos R. Chávez
dc.title	Brazilian Piano Sonatas: A Heated Debate during the Cold War
dc.type	Presentation
dc.type	Recording, acoustical
dc.type	Recording, musical
dc.type	Recording, oral