Trouser Roles in Mozart’s Clemenza di Tito and Le Nozze di Figaro: Implications for Gender Constructions in Eighteenth Century Europe
dc.contributor.advisor | Spang, Rebecca L. | |
dc.contributor.author | Benson, Samantha | |
dc.date.accessioned | 2010-04-23T13:12:14Z | |
dc.date.available | 2010-04-23T13:12:14Z | |
dc.date.issued | 2010 | |
dc.description | This paper won the 2010 Burgess Award. It was written for Fall 2009 J300 and was nominated for the Award by the course instructor, Prof. Spang. | en |
dc.identifier.uri | https://hdl.handle.net/2022/6912 | |
dc.language.iso | en_US | en |
dc.title | Trouser Roles in Mozart’s Clemenza di Tito and Le Nozze di Figaro: Implications for Gender Constructions in Eighteenth Century Europe | en |
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