Bringing the Field Recording Home: Sampling the Everyday

dc.contributor.authorDaniel, Andrew (Drew)
dc.contributor.authorSchmidt, M.C. (Martin)
dc.date.accessioned2021-03-15T17:52:43Z
dc.date.available2021-03-15T17:52:43Z
dc.date.issued2021-03-12
dc.description.abstractWhere, exactly, is “the field” implied by field recording? Can you make a “field recording” inside your own home? What does the widespread dissemination of portable recording devices mean for the future of sonic practices? Is the sound of your everyday life already a work of music? In this hybrid lecture presentation and artist’s talk, Drew and M.C. Schmidt of Matmos will discuss the political and social questions of consent, control, access and “shareveillance” that surround their critical and creative practices of sampling and composition. The talk will discuss both their work as electronic musicians in Matmos and “Quarantine Supercut”, a globally crowdsourced audio collage documenting the public and private soen
dc.description.sponsorshipIndiana University Bloomington: Institute for Digital Arts & Humanities, Luddy School of Informatics, Computing & Engineering, and Office of the Vice Provost for Researchen
dc.identifier.urihttps://hdl.handle.net/2022/26314
dc.language.isoenen
dc.relation.urihttps://media.dlib.indiana.edu/media_objects/kh04f769s
dc.subjectMatmos (Musical group)en
dc.subjectElectronic musicen
dc.subjectField recordingsen
dc.titleBringing the Field Recording Home: Sampling the Everydayen
dc.typePresentationen
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