THE EVOLVING SIGNIFICANCE OF LANGUAGE IN PHILIPPINE MUSIC HISTORY: JOSEFINO CHINO TOLEDO’S MISA LINGUA SAMA-SAMA

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dc.contributor.authorAngangco, Raoul Carlo F.
dc.date.accessioned2024-07-12T13:28:10Z
dc.date.available2024-07-12T13:28:10Z
dc.date.issued2024-07-12
dc.descriptionThesis (DM) – Indiana University, Music, 2024
dc.identifier.urihttps://hdl.handle.net/2022/29953
dc.language.isoen_US
dc.publisherIndiana University
dc.rightsThis work may be protected by copyright unless otherwise stated.
dc.subjectJosefino Chino Toledo
dc.subjectChino Toledo
dc.subjectPhilippines
dc.subjectSoutheast Asian Music
dc.subjectMisa Lingua Sama-Sama
dc.subjectVillancico
dc.subjectMisa Balintawak
dc.subjectBonifacio Abdon
dc.subjectChoral Music
dc.subjectPhilippine Bamboo Instruments
dc.titleTHE EVOLVING SIGNIFICANCE OF LANGUAGE IN PHILIPPINE MUSIC HISTORY: JOSEFINO CHINO TOLEDO’S MISA LINGUA SAMA-SAMA
dc.typeThesis

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