“It Fixates": Indie Quiets and the New Gothic

dc.contributor.authorHawkins, Joan C
dc.date.accessioned2025-02-20T16:34:26Z
dc.date.available2025-02-20T16:34:26Z
dc.date.issued2017-09-01
dc.description.abstractThe article attempts to make several interventions. Following Jamie Sexton’s work on Independent Horror, it revisits the vexed status of horror within American Inde- pendent Cinema. Not only is indie horror frequently omitted from discussion of American Independent Cinema, but low budget, direct-to-DVD and video-on-demand indie horror titles are frequently omitted from academic discussions of horror. This has the effect of skewing our understanding of the genre. From there the article moves to consider a specific subgenre of indie horror that has been gaining in popularity: the Quiet Horror film—a category that contains the sub-genre of indie-Gothic films. Lastly, the paper moves on to a close reading of a specific low budget indie Gothic title, Absentia.
dc.identifier.citationHawkins, Joan C. "“It Fixates": Indie Quiets and the New Gothic." Palgrave Communications, no. 3, 2017-9-1, https://doi.org/10.1057/palcomms.2017.88.
dc.identifier.issn2055-1045
dc.identifier.otherBRITE 558
dc.identifier.urihttps://hdl.handle.net/2022/31319
dc.language.isoen
dc.relation.isversionofhttps://doi.org/10.1057/palcomms.2017.88
dc.relation.isversionofhttps://doi.org/10.1057/palcomms.2017.88
dc.relation.journalPalgrave Communications
dc.title“It Fixates": Indie Quiets and the New Gothic

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