Doing politics on walls and doors: a sociolinguistic analysis of graffiti in Legon (Ghana).

Loading...
Thumbnail Image
Can’t use the file because of accessibility barriers? Contact us with the title of the item, permanent link, and specifics of your accommodation need.

Date

2000

Journal Title

Journal ISSN

Volume Title

Publisher

Mouton de Gruyter

Abstract

Graffiti act as a medium through which political (including socio-political unmentionables are mentioned without the writer attracting any political or social sanctions. Graffiti in Legon (Ghana) have anonymous authors. Through graffiti, people of lower social/political status (students) express their opinions on political actors (people holding public office) and political decision making processes. They also express their anger and frustration about Ghana's political situation. Sequentially, the graffiti consist of stimuli followed by responses. They could therefore be said to constitute discourses with participants taking turns. Syntactically, the sentences are often short, and are of a simple sentence type. Graffiti exhibit all the properties of interaction - turn-taking, repair, opening and closing, adjacency pairs, indirectness, among other features.

Description

Keywords

sociolinguistics, Ghana, political discourse, discourse analysis, popular culture, West Africa

Citation

Obeng, Samuel Gyasi. Doing politics: a sociolinguistic analysis of graffiti in Legon (Ghana). Multilingua 19, no.4 (2000): 337-365.

Journal

DOI

Link(s) to data and video for this item

Relation

Rights

This material is the copyright of Mouton de Gruyter. Please contact the publisher for information about reuse and reproduction.

Type

Article