W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219

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dc.altmetrics.displayfalse
dc.contributor.authorJung, Ji-Woon
dc.date.accessioned2014-10-02T14:20:51Z
dc.date.available2014-10-02T14:20:51Z
dc.date.issued2014-10-02
dc.identifier.urihttps://hdl.handle.net/2022/19001
dc.language.isoen_US
dc.rightsAttribution Non-commercial Share Alike (by-nc-sa)
dc.subjectMozart
dc.subjectWolfgang Amadeus
dc.subjectLeopold
dc.subjectMozart as violinist
dc.subjectMozart in 1770s
dc.subjectJourneys to Italy
dc.subjectMozart's violin concertos
dc.subjectSingle movements for violin and orchestra
dc.subjectAutograph
dc.subjectVerschollen
dc.subjectGabriel Banat
dc.subjectPerformance matters on Mozart's violin music
dc.subjectJung
dc.subjectJi-Woon
dc.subjectViolin Concerto No. 5
dc.subjectA Major
dc.subjectK. 219
dc.subjectKV 219
dc.subjectFirst movement
dc.subjectAllegro aperto
dc.subjectAperto meaning
dc.subjectAperto tempo
dc.subjectSonata form
dc.subjectConcerto form
dc.subjectOpening tutti
dc.subjectAdagio introduction
dc.subjectAdagio
dc.subjectAdagio violin solo
dc.subjectExposition
dc.subjectDevelopment
dc.subjectRecapitulation
dc.subjectAnalysis
dc.subjectAnalytic approaches
dc.subjectSchenkerian approaches
dc.subjectMelodies
dc.subjectPhrases
dc.subjectPhrasing melodies
dc.subjectStructural notes
dc.subjectPatterns and sequences
dc.subjectRegisters
dc.subjectHarmonies
dc.subjectCadences
dc.subjectRhythm and meter
dc.subjectHypermeter
dc.subjectFormal structure
dc.subjectTonic chord
dc.subjectTonic triad as motive
dc.subjectTonic-dominant relationship in phrases
dc.subjectMusical sentence
dc.subjectElision
dc.subjectPhrase expansion
dc.subjectExtension
dc.subjectInterruption
dc.subjectModulation
dc.titleW. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219
dc.typeD. Mus.

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