W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219
dc.altmetrics.display | false | en |
dc.contributor.author | Jung, Ji-Woon | en |
dc.date.accessioned | 2014-10-02T14:20:51Z | en |
dc.date.available | 2014-10-02T14:20:51Z | en |
dc.date.issued | 2014-10-02 | en |
dc.identifier.uri | https://hdl.handle.net/2022/19001 | en |
dc.language.iso | en_US | en |
dc.rights | Attribution Non-commercial Share Alike (by-nc-sa) | en |
dc.subject | Mozart | en |
dc.subject | Wolfgang Amadeus | en |
dc.subject | Leopold | en |
dc.subject | Mozart as violinist | en |
dc.subject | Mozart in 1770s | en |
dc.subject | Journeys to Italy | en |
dc.subject | Mozart's violin concertos | en |
dc.subject | Single movements for violin and orchestra | en |
dc.subject | Autograph | en |
dc.subject | Verschollen | en |
dc.subject | Gabriel Banat | en |
dc.subject | Performance matters on Mozart's violin music | en |
dc.subject | Jung | en |
dc.subject | Ji-Woon | en |
dc.subject | Violin Concerto No. 5 | en |
dc.subject | A Major | en |
dc.subject | K. 219 | en |
dc.subject | KV 219 | en |
dc.subject | First movement | en |
dc.subject | Allegro aperto | en |
dc.subject | Aperto meaning | en |
dc.subject | Aperto tempo | en |
dc.subject | Sonata form | en |
dc.subject | Concerto form | en |
dc.subject | Opening tutti | en |
dc.subject | Adagio introduction | en |
dc.subject | Adagio | en |
dc.subject | Adagio violin solo | en |
dc.subject | Exposition | en |
dc.subject | Development | en |
dc.subject | Recapitulation | en |
dc.subject | Analysis | en |
dc.subject | Analytic approaches | en |
dc.subject | Schenkerian approaches | en |
dc.subject | Melodies | en |
dc.subject | Phrases | en |
dc.subject | Phrasing melodies | en |
dc.subject | Structural notes | en |
dc.subject | Patterns and sequences | en |
dc.subject | Registers | en |
dc.subject | Harmonies | en |
dc.subject | Cadences | en |
dc.subject | Rhythm and meter | en |
dc.subject | Hypermeter | en |
dc.subject | Formal structure | en |
dc.subject | Tonic chord | en |
dc.subject | Tonic triad as motive | en |
dc.subject | Tonic-dominant relationship in phrases | en |
dc.subject | Musical sentence | en |
dc.subject | Elision | en |
dc.subject | Phrase expansion | en |
dc.subject | Extension | en |
dc.subject | Interruption | en |
dc.subject | Modulation | en |
dc.title | W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219 | en |
dc.type | D. Mus. | en |
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