Biographies of Two African American Women in Religious Music: Clara Ward and Rosetta Tharpe

dc.contributor.authorAmoah-Ramey, Nana
dc.date.accessioned2022-08-25T15:25:33Z
dc.date.available2022-08-25T15:25:33Z
dc.date.issued2019-09
dc.description.abstractThis paper‟s focus is to compare the lives, times and musical professions of two prominent African American women— Clara Ward and Rosetta Thorpe — in religious music. The study addresses the musical careers of both women and shows challenges that they worked hard to overcome, and how their relationship with other musicians and the public helped to steer their careers by making them important figures in African American gospel and religious music. In pursuing this objective, I relied on manuscripts, narratives, newspaper clippings, and published source materials. Results of the study points to commonalities or similarities between them. In particular, their lives go a long way to confirm the important contributions they made to religious music of their day and even today.
dc.identifier.citationBiographies of two African American Women in Religious Music: Clara Ward & Rosetta Tharpe,” in the International Journal of Humanities and Social Science (IJHSS) published in Vol. 9 No. 10. Fall, 2019.
dc.identifier.doihttps://doi.org/10.30845/ijhss.v9n9a4
dc.identifier.urihttps://hdl.handle.net/2022/28108
dc.language.isoen
dc.publisherInternational Journal of Humanities and Social Science
dc.relation.isversionofhttp://ijhssnet.com/journal/index/4454
dc.subjectAfrican American Gospel and Religious Music
dc.subjectWomen
dc.subjectGender
dc.subjectLiberation
dc.subjectEmpowerment
dc.titleBiographies of Two African American Women in Religious Music: Clara Ward and Rosetta Tharpe
dc.typeArticle

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