Desenne, Vivaldi, and Carpentier : intertextuality in The two seasons (of the Caribbean tropics)

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dc.contributor.authorRomero Ramos, María José
dc.date.accessioned2021-05-03T01:57:13Z
dc.date.available2021-05-03T01:57:13Z
dc.date.issued2021-05-02
dc.descriptionThesis (D. Mus.) – Indiana University, Music, 2021
dc.identifier.urihttps://hdl.handle.net/2022/26410
dc.language.isoen
dc.publisherIndiana University
dc.subjectAlejo, Carpentier, Desenne, Two Seasons, Four Seasons, Vivaldi, concerto, violin concerto, harpsichord, intertextuality, concierto barroco, lo real maravilloso, american baroque, filomeno, montezuma, moctezuma, Venezuela, coqui, programmatic, program music, tango, piazzolla, estaciones, caribbean, tropics, string orchestra, harpsichord, coquiloquio, goteras, roof leaks, giga, landslide, folk, traditional
dc.titleDesenne, Vivaldi, and Carpentier : intertextuality in The two seasons (of the Caribbean tropics)
dc.typeThesis

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