BONGA'S TRANSATLANTIC ROUTES

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dc.contributor.authorMoorman, Marissa J
dc.date.accessioned2025-02-20T16:17:20Z
dc.date.available2025-02-20T16:17:20Z
dc.date.issued2019-04-15
dc.description.abstractThis work is a study of the album Angola 74 de Bonga to analyze the relations about Bomga and his music. Bonga observed the daily life in Kipiri, where he was born, and the day-to-day experience in Luanda's musseques and the impact of music in the region. Its “roots” and its source (Pereira, 2018; Eduardo, 2012). But the song “Ghinawa” from Angola 74, in sounds and history, suggests routes and not roots. Listening carefully, I trace a transatlantic urban trajectory for Bonga's work.
dc.identifier.citationMoorman, Marissa J. "BONGA'S TRANSATLANTIC ROUTES." Revista TransVersos de História, no. no 15, 2019-04-15, https://doi.org/10.12957/transversos.2019.41866.
dc.identifier.issn2179-7528
dc.identifier.otherBRITE 6237
dc.identifier.urihttps://hdl.handle.net/2022/31869
dc.language.isoen
dc.relation.isversionofhttps://doi.org/10.12957/transversos.2019.41866
dc.relation.isversionofhttps://www.e-publicacoes.uerj.br/index.php/transversos/article/view/42077
dc.relation.journalRevista TransVersos de História
dc.rightsThis work may be protected by copyright unless otherwise stated.
dc.titleBONGA'S TRANSATLANTIC ROUTES

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