dc.contributor.author |
Girshick, Paula Ben-Amos |
|
dc.date.accessioned |
2009-07-24T16:45:44Z |
|
dc.date.available |
2009-07-24T16:45:44Z |
|
dc.date.issued |
2002 |
|
dc.identifier.citation |
Girshick, Paula Ben-Amos. "Omada Art at the Crossroads of Colonialisms," in Images and Empires: Visuality in Colonial and Postcolonial Africa, edited by Paul S. Landau and Deborah D. Kaspin. (c) 2002 by the Regents of the University of California. Published by the University of California Press. |
en |
dc.identifier.uri |
http://hdl.handle.net/2022/3614 |
|
dc.language.iso |
en_US |
en |
dc.publisher |
University of California Press |
en |
dc.rights |
This material is the copyright of The University of California Press. Please contact the publisher for information about reproduction or reuse. |
en |
dc.rights.uri |
http://www.ucpressjournals.com/authorInfo.asp |
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dc.subject |
Omada |
en |
dc.subject |
Oba |
en |
dc.subject |
Court Art |
en |
dc.subject |
Carving |
en |
dc.subject |
Colonialism |
en |
dc.subject |
Art history |
en |
dc.subject |
Nineteenth century |
en |
dc.subject |
19th century |
en |
dc.subject |
Edo Kingdom |
en |
dc.subject |
Nigeria |
en |
dc.subject |
Benin |
en |
dc.title |
Omada Art at the Crossroads of Colonialisms |
en |
dc.type |
Book chapter |
en |