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dc.contributor.author Obeng, Samuel Gyasi
dc.date.accessioned 2008-07-28T14:03:13Z
dc.date.available 2008-07-28T14:03:13Z
dc.date.issued 2000
dc.identifier.citation Obeng, Samuel Gyasi. Doing politics: a sociolinguistic analysis of graffiti in Legon (Ghana). Multilingua 19, no.4 (2000): 337-365. en
dc.identifier.uri http://hdl.handle.net/2022/3156
dc.description.abstract Graffiti act as a medium through which political (including socio-political unmentionables are mentioned without the writer attracting any political or social sanctions. Graffiti in Legon (Ghana) have anonymous authors. Through graffiti, people of lower social/political status (students) express their opinions on political actors (people holding public office) and political decision making processes. They also express their anger and frustration about Ghana's political situation. Sequentially, the graffiti consist of stimuli followed by responses. They could therefore be said to constitute discourses with participants taking turns. Syntactically, the sentences are often short, and are of a simple sentence type. Graffiti exhibit all the properties of interaction - turn-taking, repair, opening and closing, adjacency pairs, indirectness, among other features. en
dc.format.extent 1386824 bytes
dc.format.mimetype application/pdf
dc.language.iso en_US en
dc.publisher Mouton de Gruyter en
dc.rights This material is the copyright of Mouton de Gruyter. Please contact the publisher for information about reuse and reproduction. en
dc.rights.uri http://www.degruyter.com en
dc.subject sociolinguistics en
dc.subject Ghana en
dc.subject political discourse en
dc.subject discourse analysis en
dc.subject popular culture en
dc.subject West Africa en
dc.title Doing politics on walls and doors: a sociolinguistic analysis of graffiti in Legon (Ghana). en
dc.type Article en


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