Browsing Folklore and Ethnomusicology by Title

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  • Harlan, Byron G. (1911-02-10)
  • Jackson, Jason Baird (Practicing Anthropology [a journal of the Society for Applied Anthropology], 2000)
  • Whitney, Edwin (1909-06-15)
  • Marsh, Moira (2012-07-10)
    In this paper I will explore the reception of jokes. I will use practical jokes as examples but my intent is to make claims about the reception of verbal jokes as well. I contend that joke reception arises from the interplay ...
  • Burdette, Alan (2005)
    This syllabus was used in spring 2005 in an undergraduate course in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in ...
  • Janelli, Roger L. (2006)
    This syllabus was used in fall 2006 in a course in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in IUScholarWorks, the ...
  • Lee, Dorothy S. (2011-05-03)
    This syllabus was used in a summer session course [undated, but probably in the early 1990s] in the Folklore Institute, Indiana University. The course focused on the ethnomusicology of Native North America and was taught ...
  • Shorter, David Delgado (2006)
    This syllabus was used in spring 2006 in an undergraduate course in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in ...
  • Dorson, Richard M. (1979)
    This syllabus was used in fall 1979 in a course in the Folklore Institute (current Department of Folklore and Ethnomusicology), Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available ...
  • Reed, Daniel B. (2005)
    This syllabus was used in fall 2005 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in IUScholarWorks, ...
  • Hansen, William F. (1995)
    This syllabus was used in fall 1995 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. The course had the variable title of Ancient Greek Popular Literature. The underlying course ...
  • Jackson, Jason Baird (2005)
    This syllabus was used in spring 2005 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in IUScholarWorks, ...
  • Jackson, Jason Baird (2006)
    This syllabus was used in spring 2006 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in IUScholarWorks, ...
  • McDowell, John H. (2006)
    This syllabus was used in spring 2006 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. As with all Department of Folklore and Ethnomusicology syllabi made available in IUScholarWorks, ...
  • Shorter, David Delgado (2005)
    This syllabus was used in spring 2005 in a graduate seminar in the Department of Folklore and Ethnomusicology, Indiana University. The course had the variable title of Ethnography of/as Colonialism. The underlying course ...
  • Jackson, Jason Baird (American Anthropologist (American Anthropological Association), 2008-12)
  • Galuska, John D. (Indiana University, 2000)
    At its core, dub poetry involves the process of creating and presenting a fusion of words and sounds (or "word-sounds") with musical and dramatic components. The genre has deep roots in the long-standing oral, musical, and ...
  • Jackson, Jason Baird (Indiana University, 2009)
  • Smith, Moira (2007-06)
    Humor demands an immediate audience response, but both the initiating move and the response take place in a context where each party is aware that they are being observed (and their actions judged) by the other. Further, ...

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