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dc.contributor.author Romero Ramos, Maria
dc.date.accessioned 2021-05-03T01:57:13Z
dc.date.available 2021-05-03T01:57:13Z
dc.date.issued 2021-05-02
dc.identifier.uri https://hdl.handle.net/2022/26410
dc.description Thesis (DM) – Indiana University, Music, 2021 en
dc.language.iso en en
dc.publisher Indiana University en
dc.subject Alejo, Carpentier, Desenne, Two Seasons, Four Seasons, Vivaldi, concerto, violin concerto, harpsichord, intertextuality, concierto barroco, lo real maravilloso, american baroque, filomeno, montezuma, moctezuma, Venezuela, coqui, programmatic, program music, tango, piazzolla, estaciones, caribbean, tropics, string orchestra, harpsichord, coquiloquio, goteras, roof leaks, giga, landslide, folk, traditional en
dc.title Desenne, Vivaldi, and Carpentier: Intertextuality in The Two Seasons (of the Caribbean Tropics) en
dc.type Thesis en


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