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dc.contributor.author Daniel, Andrew (Drew)
dc.contributor.author Schmidt, M.C. (Martin)
dc.date.accessioned 2021-03-15T17:52:43Z
dc.date.available 2021-03-15T17:52:43Z
dc.date.issued 2021-03-12
dc.identifier.uri http://hdl.handle.net/2022/26314
dc.description.abstract Where, exactly, is “the field” implied by field recording? Can you make a “field recording” inside your own home? What does the widespread dissemination of portable recording devices mean for the future of sonic practices? Is the sound of your everyday life already a work of music? In this hybrid lecture presentation and artist’s talk, Drew and M.C. Schmidt of Matmos will discuss the political and social questions of consent, control, access and “shareveillance” that surround their critical and creative practices of sampling and composition. The talk will discuss both their work as electronic musicians in Matmos and “Quarantine Supercut”, a globally crowdsourced audio collage documenting the public and private so en
dc.description.sponsorship Indiana University Bloomington: Institute for Digital Arts & Humanities, Luddy School of Informatics, Computing & Engineering, and Office of the Vice Provost for Research en
dc.language.iso en en
dc.relation.uri https://media.dlib.indiana.edu/media_objects/kh04f769s
dc.subject Matmos (Musical group) en
dc.subject Electronic music en
dc.subject Field recordings en
dc.title Bringing the Field Recording Home: Sampling the Everyday en
dc.type Presentation en


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