Bringing the Field Recording Home: Sampling the Everyday

Indiana University

dc.contributor.author	Daniel, Andrew (Drew)
dc.contributor.author	Schmidt, M.C. (Martin)
dc.date.accessioned	2021-03-15T17:52:43Z
dc.date.available	2021-03-15T17:52:43Z
dc.date.issued	2021-03-12
dc.identifier.uri	https://hdl.handle.net/2022/26314
dc.description.abstract	Where, exactly, is “the field” implied by field recording? Can you make a “field recording” inside your own home? What does the widespread dissemination of portable recording devices mean for the future of sonic practices? Is the sound of your everyday life already a work of music? In this hybrid lecture presentation and artist’s talk, Drew and M.C. Schmidt of Matmos will discuss the political and social questions of consent, control, access and “shareveillance” that surround their critical and creative practices of sampling and composition. The talk will discuss both their work as electronic musicians in Matmos and “Quarantine Supercut”, a globally crowdsourced audio collage documenting the public and private so	en
dc.description.sponsorship	Indiana University Bloomington: Institute for Digital Arts & Humanities, Luddy School of Informatics, Computing & Engineering, and Office of the Vice Provost for Research	en
dc.language.iso	en	en
dc.relation.uri	https://media.dlib.indiana.edu/media_objects/kh04f769s
dc.subject	Matmos (Musical group)	en
dc.subject	Electronic music	en
dc.subject	Field recordings	en
dc.title	Bringing the Field Recording Home: Sampling the Everyday	en
dc.type	Presentation	en