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dc.contributor.author Dove, Patrick
dc.date.accessioned 2020-05-14T16:28:19Z
dc.date.available 2020-05-14T16:28:19Z
dc.date.issued 2014
dc.identifier.citation “Aesthetics, Politics and Event: Borges’s ‘El fin’, the Argentine Tradition and Death.” CR: The New Centennial Review 14:1 (Spring 2014): 25-46. en
dc.identifier.uri https://hdl.handle.net/2022/25461
dc.description.abstract This essay takes up the relationship between literary aesthetics and the critique of nationalism in Jorge Luis Borges. I begin with a critical overview of Josefina Ludmer’s genealogy of the gaucho genre and then turn to Borges’s “Elfin,” which by my reading, poses a number of challenges, not only to the ideology of cultural nationalism, but also to Ludmer’s attempts to distinguish between the popular and its aestheticization. en
dc.language.iso en en
dc.publisher CR: The New Centennial Review en
dc.relation.isversionof https://muse.jhu.edu/article/539215 en
dc.title Aesthetics, Politics and Event: Borges’s “El fin,” the Argentine Tradition and Death en
dc.type Article en


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