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dc.contributor.author Moretti, Franco
dc.date.accessioned 2017-02-23T03:56:46Z
dc.date.available 2017-02-23T03:56:46Z
dc.date.issued 2017-01-26
dc.identifier.uri http://hdl.handle.net/2022/21238
dc.description Franco Moretti, Danily C. and Laura Louise Bell Professor in the Humanities, Stanford UniversityVideo recording of lecture presented on January 26, 2017, at Presidents Hall, Franklin Hall, Indiana University Bloomington. en
dc.description.abstract Aby Warburg’s last and most ambitious project, the Atlas Mnemosyne – conceived in 1926 and truncated three years later by Warburg’s sudden death – consists of a series of large black panels, on which are attached black-and-white photographs of paintings, sculptures, tarot cards, stamps, coins, and other types of images. Its thousand images are unified by Warburg’s greatest conceptual creation: the idea of the Pathosformel, or formula for the expression of extreme passion. In this talk, the reflection on the Pathosformel will take the unusual form of an attempt at “operationalizing” the concept, transforming it into a series of quantitative operations. The resulting model is then used to analyze the evidence assembled by Warburg in Mnemosyne, and to gain a new understanding of how extreme emotional states are represented in painting. en
dc.language.iso en en
dc.publisher Indiana University William T. Patten Foundation en
dc.relation.isversionof Click on the PURL link below in the "External Files" section to play this video.
dc.relation.uri http://purl.dlib.indiana.edu/iudl/media/p78g452p9f
dc.title Totentanz. Operationalizing Aby Warburg’s Atlas of images en
dc.type Video en


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