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dc.contributor.author Herrera-Sobek, Maria en
dc.contributor.author Winick, Stephen D. en
dc.date.accessioned 2016-07-28T14:42:28Z en
dc.date.available 2016-07-28T14:42:28Z en
dc.identifier.uri https://hdl.handle.net/2022/20933 en
dc.description.abstract Some songs pertaining to the “música tropical” genre, or music exhibiting tropical rhythms from both the Pacific and Atlantic coasts, feature Afro-mestizo protagonists in their lyrics. My study explores the imaginaries constructing the subjectivities of Afro-mestizo men and women and posits that these gender constructions are different between the two sexes. Men tend to be depicted more harshly than women. Both, however, are depicted in a stereotypical and racist manner. My study incorporates feminist and critical race theories as well as postcolonial theories in the analysis and hermeneutics of the representation of Afro-mestizos in the lyrics of these songs. en
dc.language.iso en_US en
dc.publisher American Folklore Society en
dc.relation.isversionof Click on the PURL link below in the "External Files" section to play this video. en
dc.relation.uri http://purl.dlib.indiana.edu/iudl/media/z70890sw5c en
dc.title Afro-Mestizo Imaginaries in “Música Tropical”: Gender Differences in the Representation of African Mexican Subjectivities in Musical Expressions en
dc.title.alternative The Phillips Barry Lecture en
dc.type Presentation en


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