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dc.contributor.author Jung, Ji-Woon en
dc.date.accessioned 2014-10-02T14:20:51Z en
dc.date.available 2014-10-02T14:20:51Z en
dc.date.issued 2014-10-02 en
dc.identifier.uri http://hdl.handle.net/2022/19001 en
dc.language.iso en_US en
dc.rights Attribution Non-commercial Share Alike (by-nc-sa) en
dc.subject Mozart en
dc.subject Wolfgang Amadeus en
dc.subject Leopold en
dc.subject Mozart as violinist en
dc.subject Mozart in 1770s en
dc.subject Journeys to Italy en
dc.subject Mozart's violin concertos en
dc.subject Single movements for violin and orchestra en
dc.subject Autograph en
dc.subject Verschollen en
dc.subject Gabriel Banat en
dc.subject Performance matters on Mozart's violin music en
dc.subject Jung en
dc.subject Ji-Woon en
dc.subject Violin Concerto No. 5 en
dc.subject A Major en
dc.subject K. 219 en
dc.subject KV 219 en
dc.subject First movement en
dc.subject Allegro aperto en
dc.subject Aperto meaning en
dc.subject Aperto tempo en
dc.subject Sonata form en
dc.subject Concerto form en
dc.subject Opening tutti en
dc.subject Adagio introduction en
dc.subject Adagio en
dc.subject Adagio violin solo en
dc.subject Exposition en
dc.subject Development en
dc.subject Recapitulation en
dc.subject Analysis en
dc.subject Analytic approaches en
dc.subject Schenkerian approaches en
dc.subject Melodies en
dc.subject Phrases en
dc.subject Phrasing melodies en
dc.subject Structural notes en
dc.subject Patterns and sequences en
dc.subject Registers en
dc.subject Harmonies en
dc.subject Cadences en
dc.subject Rhythm and meter en
dc.subject Hypermeter en
dc.subject Formal structure en
dc.subject Tonic chord en
dc.subject Tonic triad as motive en
dc.subject Tonic-dominant relationship in phrases en
dc.subject Musical sentence en
dc.subject Elision en
dc.subject Phrase expansion en
dc.subject Extension en
dc.subject Interruption en
dc.subject Modulation en
dc.title W. A. Mozart's treatment of the tonic triad in the first movement of the violin concerto in A major, K. 219 en
dc.type D. Mus. en
dc.altmetrics.display false en


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